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Last House On The Left - 3 Disc Ultimate Edition (Uncut) [1972] [DVD]
 
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Last House On The Left - 3 Disc Ultimate Edition (Uncut) [1972] [DVD]

Wes Craven    Suitable for 18 years and over   DVD
2.7 out of 5 stars  See all reviews (75 customer reviews)
Price: £11.87 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Last House On The Left - 3 Disc Ultimate Edition (Uncut) [1972] [DVD] + Eden Lake [DVD] + The Last House On The Left [DVD]
Price For All Three: £20.22

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  • Eden Lake [DVD] £3.99

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Product details

  • Directors: Wes Craven
  • Format: Anamorphic, Animated, Box set, Dolby, Dubbed, HiFi Sound, PAL, Surround Sound, THX, Widescreen
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 3
  • Classification: 18
  • Studio: Metrodome Distribution
  • DVD Release Date: 20 Oct 2008
  • Run Time: 82 minutes
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (75 customer reviews)
  • ASIN: B001EXB3BM
  • Amazon Bestsellers Rank: 13,118 in Film & TV (See Top 100 in Film & TV)

Reviews

Product Description

Hailed by critics as one of the greatest horror movies of all time and now fully Uncut and Uncensored: dare you enter The Last House On The Left? Teenagers Mari and Phyllis stop off before heading to a concert in the city to score some grass when they are accosted by a group of thugs led by the reprehensible and deeply psychotic Krug. While Mari's parents are just a mile away preparing a party for their daughter, the two girls are subjected to the most terrifying ordeal imaginable. With his male and female cohorts, the monstrous Krug delivers a grueling catalogue of assault and depravity on the two girls that stretches the bounds of on-screen horror to its very limits. Only after the girls' suffering is ended does the enormity of their actions dawn upon the villainous gang. But for them the nightmare is just beginning: the house they happen upon to spend the night is one from which they may never leave alive. From master of horror Wes Craven comes a film so powerful, so shocking that it has never been permitted in its complete and uncut form in the UK... until now.

Special Features

Disc 1: Feature commentary by write/director Wes Craven and Producer Sean S. Cunningham;
2nd Feature Commentary by stars David Hess, Marc Sheffler and Fred Lincoln;
"Celluloid Crime Of The Century" making of... documentary (40 mins);
"Scoring Last House..." featurette with David Hess;
"Krug Conquers England" charting the theatrical tour of the first even UNCUT screening of the film in the UK;
20 mins of outtakes and dailies; US theatrical trailer;
German theatrical trailer;
TV spots;
Radio spots

Disc 2: "Krug & Company": rare COMPLETE ALTERNATE CUT of the film;
Exclusive interview with Carl Daft of Exploited Films, who took the BBFC to courts over the film's banned status;
WORLD EXCLUSIVE never before seen footage only recently discovered;
"Tales to Tear Your Heart Out" - excerpt from a short film starring David Hess and directed by Wes Craven

Disc 3: "Going To Pieces: The Rise and Fall of the Slasher Film" feature length documentary on the 'slasher' film phenomenon that followed "Last House...";
Filmmakers commentary;
Deleted scenes;
Horror film quiz


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Customer Reviews

75 Reviews
5 star:
 (8)
4 star:
 (15)
3 star:
 (18)
2 star:
 (14)
1 star:
 (20)
 
 
 
 
 
Average Customer Review
2.7 out of 5 stars (75 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

50 of 57 people found the following review helpful:
3.0 out of 5 stars Low budget, ageing, but still with cult status, 10 Oct 2005
By 
Budge Burgess (Kilmarnock, Scotland) - See all my reviews
(TOP 500 REVIEWER)   
The film which brought Wes Craven to the attention of the horror movie world, "Last House on the Left" (originally "Night of Vengeance") is an enigmatically titled reworking of Ingmar Bergman's classic "The Virgin Spring" - for 'reworking' read 'dumbed down'.

In its day (released in 1972, shot earlier), it was seen as a horrific gore fest and was denounced as un-American. As has been frequently pointed out, the visceral images from the film were hardly as disturbing as the daily diet of television news from Vietnam which the American public were then watching. For some reason it was seen as going too far, as being too violent for its time ... and the notoriety meant it sold and sold and earned a cult reputation which can appear a little surprising by contemporary standards.

Originally envisaged as a hard-core porn movie which would push the boundaries, "Last House on the Left" evolved into purist horror during the shooting (or maybe the editing). It presents two young women heading off from rural Connecticut into New York city to watch a band called 'Blood Lust'. It's Mary's 17th birthday, she's lovely and innocent, and this is her first real excursion to the big city. Her friend, and obviously a corrupting influence, leads her astray ... and they find themselves kidnapped by a couple of guys newly escaped from prison ... or rather, by a couple of guys and their two hangers on.

The gang take the girls back to Connecticut, coincidentally parking up outside Mary's home, and take the girls for a walk in the woods. I use 'walk in the woods' euphemistically. Mary's parents will stumble on what has happened and exact their own, gory retribution.

Frankly, it's dreadful. The acting is atrocious - the lassie who played Mary was apparently terrified out of her skull that they really were going to kill her. The actors are completely over the top when they're not actually wooden. They improvise - sometimes it works, sometimes it doesn't. It looks like all the best bits were just kept in, edited to fit - so you get incongruous moments of light relief which contrast with the narrative needs of the plot. You sense that, at one point, it was going to be a comic horror ... you sense that this is a film which underwent several incarnations before achieving its final form.

Lighting and direction are amateurish - and there are some comments on the DVD extras which present this as exciting and new, and a lot of comments which admit that no one making the film had any previous experience and that they were making it up as they went along. It shows. Picture and sound quality are poor. The editing can be haphazard and a touch self-conscious - perhaps reflecting an absence of script and narrative control.

There is some coy nudity, some gore, but this is a black and white movie. The images are, quite frankly, tame. The violence is amateurish. Overall, it looks very dated. Craven and company couldn't find a market for it until some advertising executive decided to re-title it "Last House on the Left" - for no obvious reason - and market it with the now infamous "it's only a movie" epithet.

It's interesting, it's worth watching as a piece of history and as a landmark in American horror, but it has a cult reputation which far exceeds both its artistic and its horror quality. And I would seriously recommend buying this as part of "The Wes Craven Collection", where it is packaged with three other films and some interesting extras, and you get a real sense of the development of Craven's style and sophistication compared to this first offering.

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9 of 10 people found the following review helpful:
3.0 out of 5 stars Last House on the Left (Wes Craven), 15 Sep 2003
By 
Gregor Smith (Edinburgh, Scotland) - See all my reviews
This is one of the strangest and most uncomfortable films i have ever seen. Wes Craven makes his directorial debut with this unorthadox, yet powerful horror flick. The story is bleak, the characters poorly casted and the camera work horrific, however the chilling score and picturesque location still manage to grasp your attention until the end credits. In comparison to today's horror movies it looks tired and weak, but is still worth watching to understand how this genre has advanced and to see where Craven's crazy macabre style originates from.
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15 of 17 people found the following review helpful:
3.0 out of 5 stars Someone tell the BBFC  Its only a movie!, 20 Aug 2004
By 
Jane Aland (England) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)   
Infamous for having been banned in the UK for many years, Last House on the Left is still a vicious little film. As might be expected, Wes Craven's first film has production values so low they are barely there, but the lack of polish makes this seem a much more grainy and real film - this is a million miles away from the slick horror of A Nightmare on Elm Street, instead seeming more like an early template for the sadistic horror of The Texas Chainsaw Massacre. The story is presented as a collision between two families - one a normal conservative suburban family, the other a drug-crazed psychotic Charles Manson-type Family. The first half of the film - while crude - shows flashes of genius, and the fate of the two girls the Family come across is both shocking (convention leads us to expect at least one of these girls to survive to become the heroine of the film) and brilliantly acted and filmed (witness the dead-eyed girls post-rape walk into the river). Unfortunately the second half of the film doesn't quite convince - the actors playing one of the girls parents are dire, and if two parents found out their daughters killers were in the house I would expect them to attack them without thinking, not potter around laying traps. The film as a whole deals with an incredibly dark subject matters, but Craven unwisely tries to inject some comedy interludes with a couple of bungling policemen - while not completely without merit these inserts clash horribly with the tone of the rest of the picture. The music score is also utterly bizarre, with someone playing an acoustic guitar and singing along songs about the characters in the film over the action, but somehow this works well in highlighting the mood, and becomes one of this films most distinctive and quirky delights. Last House on the Left is certainly uncomfortable viewing, but for every moment of ineptness there's a moment of brilliance - this is an important film for fans of modern horror, laying the groundwork for the genre pinnacle of Texas Chainsaw, but it's not exactly pleasant viewing.

NB. Unfortunately while no longer banned, the draconian British Board of Film Censors STILL wont let this film be released without cutting it - according to them as a mature adult you are still deemed to be just to idiotic to be able to differentiate between fantasy and reality, and are expected to turn into a psychotic killer rapist after viewing this film (did it happen to any of them I wonder?), so if you want to see the film as intended you'll need to import the uncut American version.

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