The literature of the twentieth century, since Proust, was concerned with memory and loss, and these two themes coalesced in Jewish writing, particularly since the Second World War. Many of the themes of a lost home, and a lost language, familiar from the writings of European Jews, emerge in Naïm Kattan's `Adieu Babylone', Albin Michel, Paris, 2003 (first edition 1975, not to be confused with film of same name), translated into English as `Farewell Babylon'. So much did I enjoy this novel, that I set about reading other memoirs of Iraqi Jewry, as Amazon recommended them to me, and I soon discovered that the once thriving Jewish community in Baghdad has spawned a substantial and very satisfying sub-genre, in English and French, by men and women living in Israel and elsewhere, of memoirs of a centuries-old civilization destroyed by the vagaries of history, in which Britain in particular was often at fault.
Among others, we might mention: Nissim Rejwan, `The Last Jews in Bagdad', University of Texas Press, Austin, 2004; Edmond Samuel, `Mémoires d'un Juif de Bagdad', L'Harmattan, Paris, 2010; Violette Shamash, `Memories of Eden', Forum, Virginia Water, 2008; Sasson Somekh, `Baghdad Yesterday', Ibis Editions, Jerusalem, 2007 (Hebrew edition, 2003). If Kattan was a precursor, it will be seen that most of these memoirs, coincidentally or not, come since the invasion of Iraq.
The story they tell agree in most points: roughly a third of the population of pre-Second World War Baghdad was Jewish; the Jews were mostly engaged in commerce or employed in clerical functions in the civil service and banks; they were mostly educated, often in the schools of the Alliance Israélite Universelle, and although they used their own dialect at home, tended increasingly to identify with Arab(ic) culture. Though they looked to Europe in many of their cultural attitudes, the role of women was limited. Their families observed the major festivals, which structure the year, but were not always assiduous worshippers at the Synagogue. The subject of Zionism was discussed, but is said to have only limited support in the community.
The memoirs differ slightly in the importance they give to the `farhud' (pogrom) and the exact reasons for which they or their family eventually left Iraq, they generally see the collapse of Baghdadi Jewish culture in the early 1950s.
Now Marina Benjamin adds a new memoir with `Last Days in Babylon: The Story of the Jews of Baghdad'. In many ways, it covers the same ground as the others, and in any event diverges little from them. However, unlike the other authors, British-born Marina Benjamin is not recalling her own childhood, but is recounting the life of her grandmother Regina and her extended family, building on information from her relatives. Curiously, this in no way diminishes the `authenticity' of her memoir, but adds a new level of melancholy to this recreation, added to by the grainy black-and-white family photos that illustrate it.
She recounts her grandmother's happy arranged marriage, the vast house to which she went as a bride, and her grand-father's eventual ruin during the Second World War, his death, and the way her grand-mother emerged from the seclusion woen usually lived in, to become a successful business woman.
It would be quite wrong, however, to suggest this `memoir' has nothing new to offer. It is remarkable by extending beyond the departure from Iraq. Like many Iraqi Jews, the author's family had connections in India, and it was via that country that her grandmother was able to leave Iraq and, in the fullness of time, find her way to England.
Marina Benjamin finally recounts her own trip to war-torn Iraq in search of the final remnant of the Jewish community, which consists of just a few tens of souls, with a cemetery, one closed synagogue, and bizarrely, quite a substantial fortune from the rental income from community properties (former schools, synagogues &c). There are `pen portraits' (and photos) of many of the few survivors, who mostly seem determined to stay put.
However, there are two temptations open to them, represented on the one had by Rachel Zelon, who wants to assist Jews to emigrate to Israel, and U.S. government counselor Carole Basri, herself of Iraqi descent, who thinks that now Iraq is `free', the community might again flourish in the new Iraq. Marina Benjamin is scathing about this optimistic view, and sees the Jewish presence in Baghdad as on the point of vanishing. She is equally scathing about the conditions under which the Iraqi Jewish community was settled in Israel, and the two-tier state in which oriental Jews come a poor second to Jews of European origin.
This is clearly a very personal work, but it is also a work of scholarship, though not in the bad sense; it is well written, has a good number of discreet footnotes, and a hefty bibliography.