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4 of 4 people found the following review helpful:
4.0 out of 5 stars
"Farther Up and Further In!", 12 Jan 2007
Say what you will about the correct reading order of C. S. Lewis's "The Chronicles of Narnia", one thing is certain - "The Last Battle" needs to be read last. It is not simply because it was written and published last in the series, that it clears up all loose ends in the previous installments and leaves no possible room for any sequels, but because it will change your entire understanding and perception of the last six books. Do what you like with the other books' reading order, but trust me on this one: "The Last Battle" needs to be read *last*.
It has been over two hundred years in Narnia after the events in "The Silver Chair", when Eustace Scrubb and Jill Pole saved Prince Rilian from imprisonment and restored him to his father and the throne. Now Rilian's descendant King Tirian enjoys the solitude of his hunting lodge with his best friend, Jewel the unicorn. But there is treachery in Narnia like nothing the country has ever faced before...
A dishonest ape named Shift has found a lion-skin and forced Puzzle the donkey to wear it. Now he lords over the Talking Beasts of the forest by pretending to be the mediator between them and the great Lord Aslan, who remains hidden in a stable and only emerges by the dim light of a campfire at night. Soon the game (which began as a way for Shift to obtain food without any effort) has gotten dangerously out of control. Convinced that Puzzle is the real Aslan, the Talking Animals are scared and confused at his changing attitudes toward them, and the Calormenes of the neighbouring empire have taken advantage of the situation by invading Narnia. Once Tirian is captured by his enemies, he remembers the great stories of the past in which children from another world appear to help Narnia in need, and appeals to the true Aslan for another such occurrence. Right on cue, Eustace and Jill appear to free the King and lend their aid to the free Narnians in fighting for their beloved homeland.
All of the books in "The Chronicles of Narnia" series contain Biblical allusions, but "The Last Battle" is easily the most allegorical considering it is best described as Narnia's Armageddon. To put it simply, this is the end of Narnia (and don't think that's a spoiler, as the very first sentence of this novel is: "In the last days of Narnia...") and as such, we have allegorical representations of the Antichrist, the false prophet, the fate of non-believers, Heaven, the Final Judgement, the Second Coming and the End of the World. It's a pretty hefty topic for a children's novel, and both the story and style of the book is weightier than any previous book in the series, with plenty of death, violence and tragedy. This creates an interesting paradox overall, considering "The Last Battle" is the most spiritual, the most controversial, the most disheartening and ultimately the most upbeat book in the series.
The Calormenes are called "darkies" throughout the story, and are indisputably the villains; what with their part to play in the destruction of Narnia and the worship of their pagan-god Tash, an element of one other books in the series ("The Horse and His Boy") that has raised accusations of racism. Yet Lewis makes what is perhaps an attempt to compensate late in the novel by introducing a young Calormene named Emeth, who is permitted to enter Aslan's country based on his virtue, even though he never believed nor followed Aslan in his lifetime; a thought that may appeal to many, though it does not exactly fit into Christian teachings. As always, the author's dogma is a little muddled, for in all of his books Lewis plays by his own rules, by his own sense of right and wrong - this ranges from previous attacks on vegetarians and co-ed schools to his own opinions on who deserves salvation and who doesn't.
This leads into the second major point of controversy within the book: the fate of Susan Pevensie, the onetime Queen of Narnia. To put it bluntly, she's not here and her siblings dismiss her as someone who is no longer a friend of Narnia. Why? What could have possibly caused her abandonment from Narnia and Aslan? Surely something truly terrible! Well, no actually. Lewis pinpoints the cause as Susan's interest in "nylons and lipstick" and an interest in "grownup things". A beloved major character is excluded from the final installment of the series on the grounds of puberty? What?! Her fate becomes even more tragic when further information is revealed over the new "situation" of her siblings and parents (readers will know what I`m talking about, and what it must mean for poor Susan). I was very young when I first read "The Last Battle", and I recall how upset I was at the treatment of Susan - it stands to reason that other children will feel the same.
Okay, those are my issues and now they're off my chest. On to better things. "The Last Battle" makes fantastic use of Lewis's poetical prose, and the book carries a sense of both bittersweetness and grandeur, particularly in the chapter "Night Falls on Narnia". Though Tirian is somewhat indistinguishable from Caspian and Rilian before him, his friendship with Jewel is immensely touching, as is his relationship with the children who come to his aid. Far from the squabbling duo in "The Silver Chair", Jill and Eustace acquit themselves excellently throughout "The Last Battle", reaching hero-status in their efforts to aid the falling Narnia.
"The Last Battle" is also Lewis at his most philosophical (perhaps it's no coincidence that Professor Kirke mentions Plato), as he explores metaphysics, the boundaries of belief, the relationship between the real and the unreal, the existence of life after death and the nature of God Himself; in some ways "The Last Battle" is more akin to Lewis's apologetic Christian writings, such as "Surprised By Joy" or "Mere Christianity" than any of the other Narnian books, in that Lewis uses it as a basis for many of his spiritual concepts and ideas. As mentioned, "The Last Battle" carries the most obvert Christian messages, particularly in a declaration Lucy makes toward the end of the novel. The stable door, which begins as a convenient holding-pen for the fake Aslan soon takes on new theological meaning, with a surprising symbolic connection to our own world.
Lewis makes excellent use of components introduced in his previous books, calling up the strange creatures and that Jill and Eustace discover in "The Silver Chair", the Narnian concept of stars explored in "The Voyage of the Dawn Treader", the magical transporting rings in "The Magician's Nephew", even the use of the phrase Son of Adam and Daughter of Eve that was used so long ago in "The Lion, the Witch and the Wardrobe." It all culminates in a wonderful reunion at the conclusion of the book that may just brings tears to your eyes - especially when Lucy rediscovers her first and best Narnian friend.
Make no mistake, this is a fitting end for the trilogy and if the new movie franchise gets this far I'll be first in line for a ticket - but I'm removing a star in honour of Susan.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Best Version Of The Book You Can Get, 26 Feb 2001
By A Customer
This is my favourite of all the Narnia books. It has a fantastic, chilling ending. It can be read by anybody and indeed should be. It is the only book to have all the main human characters in and most of the famous characters from the series. Their are many versions of the Narnia books available to purchase but In my opinion this is the finest one. The words and lines are evenly spaced, there are fantastic colour drawings, the words are of a perfect size to read and it is printed on laminate paper. It is also worth noting that Pauline Baynes, who's colour drawings are in the book, drew the original drawings for the 1950's version of this book. All in all, this book is excellent!
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5 of 7 people found the following review helpful:
5.0 out of 5 stars
Bringing the Series to a Close, 20 Nov 2003
King Tirian of Narnia is thrilled to hear the rumors that, after a couple hundred years of silence, Aslan has returned to the country. But when he goes to investigate himself, he discovers that no one is allowed to see the Lion. In fact, an ape is speaking for Him. The new pronouncements are just as puzzling, including the enslavement of the talking animals. What is going on? His few allies include Eustace and Jill from our own world. But can they defeat this new evil?This book is different from others in the series because the story starts in Narnia and then brings the characters from our world into theirs. But the differences don't stop there. This is a stirring conclusion of a great series. The symbolism is strong, and I find this book one of the most interesting of the series from that standpoint. The story is probably one of the fastest in the series, with so much intrigue and fighting going on, it's hard to put down, even on a reread. The ending leaves me with a feeling of euphoria mixed with just a little bit of melancholy because the series is over. While the order the other books in the series are read doesn’t matter as much, this one must be read at the end to fully appreciate it. It's a wonderful ending to a wonderful series. Don't miss it.
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