Time was when Columbia reissued "The Quintessential Billie Holiday" on CD, in their CBS Jazz Masterpieces series, proudly proclaiming "Digitally remastered directly from the original (sic) analogue tapes". Despite that claim, sound quality left much to be desired, and is perhaps most politely summed up as muffled.
That ended appropriately with "Until the Real Thing Comes Along", and was overtaken in 2001 by the reissue of the 10-CD boxed set "Lady Day, The Complete Billie Holiday on Columbia" which retailed for a three-figure sum. Not a bad price, unless you stopped to reflect that the dedicated collector would have expended several times that amount already on previous vinyl and digital reissues. The price was geared to the LP-sized package as well as the contents, but sound quality was far superior.
Having held back then, I am delighted that this magnificent compilation has been repackaged in a CD-sized box and is now available at a price that puts it in reach not just of the ardent collector, but of the casual purchaser also. The set includes a 68-page booklet, which comprises a song index (invaluable if you want to locate just one) an appreciation of Lady Day by Gary Giddins, a shorter essay of her effect on literature by Farah Jasmine Griffin, and a discography. Photographs are scattered throughout the essays, and there's a colour montage of some of the original 78 labels.
Giddins makes a nod in the direction of John Hammond, and the latter deserves credit as the catalyst for these recording sessions. He was not a hard-nosed record producer (most of whom were unsympathetic to jazz) but a genuine fan who could afford to indulge his passion. To digress, I'm glad also that Giddins has highlighted the irony of the sympathetic portrayal of Louis McKay in the biopic "Lady Sings the Blues", but the irony didn't end there. McKay acted as a paid consultant on the movie, which portrayed Billie as having been introduced to drugs by one of the members of an unnamed white band with which she was touring. Had Artie Shaw chosen to sue it would have been no contest!
The Amazon review of this set carries the comment "In the early years the band is named as hers when Wilson is absent", but that is misleading because Wilson was present on some of those dates. The actual difference between the two billings is more marked; where Wilson got label credit Billie's vocal was confined to the middle section, but when her name was used she introduced the song, the group played the middle section, and she sang the ride-out.
My favourite disc is number 6, which includes such sublime masterpieces as Some Other Spring, Ghost of Yesterday, and Body and Soul. Billie is very much in the driving seat, and the various groups provide the most wonderful homogenised accompaniments, against which she weaves the lyric. But whichever you choose to play there is treasure, and this set must rank as the Best Buy of the Year.