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Addictive, cunningly plotted and certainly sensational, Lady Audley's Secret draws on contemporary theories of insanity to probe mid-Victorian anxiety and the doubts that accompanied the rapid rise of consumer culture.
What is the relationship between Mary Elizabeth Braddon's artful and charming heroine and a governess, a bigamist and a lunatic? Lady Audley's secret is investigated by Robert Dudley, aristocrat turned detective, in a novel that has lost none of its power to disturb and entertain.
'She may boast, without fear of contradiction, in having temporarily succeeded in making the literature of the Kitchen the favourite reading of the Drawing room.'
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Without wishing to give away the admittedly slightly convoluted and twisted plot (but twisted in the best possible fashion!) Lady Audley's Secret concerns the shady and vague past of one Lucy Graham who becomes, on marriage to an elderly baronet, the Lady Audley of the title. Beautiful, intelligent, manipulative and cunning she completely dominates the novel, easily out-shining the various po-faced and rather priggish males who try to uncover her distinctly iffy past and bring her to some sort of justice. Braddon possibly over-cooked the character of Lady Audley, making her so endlessly fascinating that she continually captures the reader's sympathy in spite of behaving in a downright devious, sinister and occasionally murderous fashion. She dominates every scene in which she appears to the extent one actually hopes she gets away with her nefarious activities and that her Nemesis, the rather dreary and humourless Robert Audley - the sort of single issue bore you really wouldn't want to be stuck with at a party - finds himself abandoned and ignored by all concerned.
The novel contains some exquisite set pieces, in particular a scene in which a Pre-Raphelite painting of Lady Audley is discussed in a fashion that actually touches on an idea developed years later by Oscar Wilde in The Picture of Dorian Gray. It seems the artist, in portraying the exquisite beauty of Lady Audley slightly marred by a sinister curl to the lip, has caught the essence, rather than the physical actuality, of his model. Something unconsciously felt, rather than seen, has been given a literal representation.
The plotting is quite leisurely, but even the passages which could be regarded as padding are not without interest and some fine descriptive writing, and the female characters in the book are all considerably more interesting than the males which can on occasion give things a slightly lopsided feel, but taken as a whole it's a wonderful novel which thoroughly deserved the considerable success it achived on its first publication. The critics in the Victorian press were sniffy, but Henry James - who knew a thing or two about fine writing - was a fan. Give it a go. If you like your literature as fragrant as a rose garden in high summer you won't be disappointed.
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