This is the second "Finbar's Hotel," collection edited by Bolger, and this one is given over to seven Irish women writers: Maeve Binchy, Clare Boylan, Emma Donoghue, Anne Haverty, Eilis Ni Dhibhne, Kate O'Riordan and Deirdre Purcell. As in the first one (which had only two women, Anne Enright and Jennifer Johnston), each writer is given a "room" of the hotel, and creates a guest and a story to explain their presence at the hotel. And as in the first one, the writer of each story is not identified. One has to wonder at the point of such cleverness, as it is a directly impedes any attempt on the reader's part to discover a new writer to seek out in the future. For example, say I find two of the seven stories to be amazing, what am I to do? Buy one book by each of the seven writers and read all seven to figure out whose writing it was that I liked? Since there's no real purpose to keeping the authors secret (other than editorial conceit), why do it?
The strongest stories reside in rooms 101 and 106, which contain stories that revolve around marital infidelity, but have gentle reversals. Room 104 also concerns infidelity, but in this case, to God-and is much less interesting. Rooms 102, 103, 105 and the penthouse all contain guests coming from abroad and their stories all revolve around encounters with their past. Room 105, which concerns a mother meeting her son for the first time is perhaps the best of them, although the penthouse story is worth reading for the ending if nothing else. One sort of odd running thread is the clumsy mocking of Americans that appears in each story, which is in contrast the generally gentle tone of the collection. All in the all, the collection is inoffensive, but not quite as strong as the original Finbar's Hotel.