LOTC was my intitation into the world of Joni Mitchell. Fourteen years old, with romantic notions about Woodstock as it approached the twentieth anniversary, I searched out the cassette to hear what Graham Nash had described.
The "Woodstock" anthem was the catalyst for LOTC success, but it is by no means the only, or even best, tune this effort offers. "Morning Morgantown" sets the scene for a recording that basically takes the listener through a pastoral panorama. Along the way are some observations about the intrusion of art meets commerce ( "For Free"), manipulative triangles ( " Conversation"), Gender roles ( the stunning " Arrangement"), and spiritual quest ( " The Priest"). Of course, another career launcher, " Big Yellow Taxi", graces this album, as well as Mitchell's camp classic " The Circle Game".
This might possibly be the best introduction one could have to Ms. Mitchell's extraordinary canon. Then, working back to the first two, already exquisit work will be found. Proceeding forward, the genuis takes shape. LOTC is music for mellowing.