!!!WARNING. MAY CONTAIN SPOILERS!!!
The film starts with a prologue set in California in 1970, where a group of hippies are slaughtered as part of a satanic ritual by a demented cult led by Damon(Tomos Arana). Damon approaches a car nearby following the murders expecting reward, but is told by an off-screen voice that he is to be patient, as it is not yet time.
The film then moves on to Germany, 21 years later. A schoolteacher Miriam(Kelly Curtis) is involved in an accident with an elderly, dishevelled man Moebius Kelly(Herbert Lom). Worrying about the man she has knocked over, Miriam takes Moebius back to her house to look after him until his condition improves. In fact his condition worsens, and Miriam rushes out to fetch the local doctor. Bad move, as soon as she has gone, Moebius Kelly sets about completing a diabolical plan many years in the making. It soon becomes apparent that Miriam and her friends are in terrible danger from a devilish cult eager to bring an ultimate evil into the world...
I think La Setta is a film that is impossible to criticise. I am a big fan of Soavi's work, as he is also responsible for such great genre films such as Dellamorte Dellamore, La Chiesa and Stagefright. This film is as visually stunning as the others on Soavi's resume, not suprising as he was a pupil of Argento.
I think La Setta would be best described as a waking nightmare, as once Moebius places a long extinct insect onto Miriam, an insect that reaches into her mind, things get very strange indeed. Even though the plot is explained towards the end, many questions are left unanswered. It starts to resemble Rosemary's Baby towards the end, in engineering a creepy, disturbing atmosphere through the insiduous entrapment of Miriam's body and soul by Moebius and his fervent followers.
Herbert Lom is excellent as Moebius, changing from doddery old man to devilish conspiritor with the greatest of ease. Curtis is also very good as Miriam, but the actors are all secondary to the dreamlike visuals.
I think La Setta is a film that needs to be watched more than once to appreciate its subtle nuances. Please don't be put off by the less than fluid narrative, as if you make it to the end you will be surely rewarded. Howevert, it does remain a lesser work when compared to Soavi's other efforts in the director's chair. That's not really meant as a criticism, as Soavi's other film set the bar very high indeed.
A very enjoyable film, available in this release with both Italian and English audio, and with optional subtitles. Nice extras too. 4 out of 5