One of the masterworks of 1960s cinema, La notte (The Night) marked yet another development in the continuous stylistic evolution of its director, Michelangelo Antonioni even as it solidified his reputation as one of the greatest artists of the 20th century. La notte is Antonioni's 'Twilight of the Gods' but composed in cinematic terms. Examined from a crane-shot, it's a sprawling study of Italy's upper middle-class; seen in close-up, it's an x-ray of modern man's psychic desolation. Two of the giants of film-acting come together as a married couple living in crisis: Marcello Mastroianni (La dolce vita, 8 1/2) and Jeanne Moreau (Jules et Jim, Bay of Angels). He is a renowned author and 'public intellectual'; she is 'the wife.' Over the course of one day and the night into which it inevitably bleeds, the pair will come to re-examine their emotional bonds, and grapple with the question of whether love and communication are even possible in a world built out of profligate idylls and sexual hysteria. Photographed in rapturous black-and-white by the great Gianni di Venanzo (8 1/2, Giulietta degli spiriti), La notte presents the beauty of seduction, then asks:'When did this occur this seduction of Beauty?' The Masters of Cinema Series is proud to present Michelangelo Antonioni's haunted odyssey in a new digital restoration, uncut for the first time ever on home video. SPECIAL FEATURES: New restoration of the film in its original 1.75:1 aspect ratio with previously-censored sequences restored for the first time - New and improved English subtitles - Original Italian theatrical trailer - Includes a 40-page booklet with a new essay by film-critic and scholar Brad Stevens, and the transcript of a lengthy Q&A conducted in 1961 with Antonioni upon the film's release.
United Kingdom released, PAL/Region 2 DVD: LANGUAGES: Italian ( Dolby Digital 2.0 ), English ( Subtitles ), WIDESCREEN (1.66:1), SPECIAL FEATURES: Anamorphic Widescreen, Black & White, Booklet, Interactive Menu, Remastered, Scene Access, Trailer(s), SYNOPSIS: La Notte is another of Michelangelo Antonioni's cinematic interrupted journeys. Just as no one solved the central mystery in Antonioni's L'Avventura, neither does anyone truly enjoy the literary party that is La Notte's centerpiece. The party is being thrown to celebrate the publication of author Marcello Mastrioanni's new novel. But before he even reaches the door of the house, Mastrioanni's evening is ruined when his wife Jeanne Moreau announces suddenly she is disgusted with him--this reaction evidently triggered by an earlier visit to a dying friend. Moreau skips out on the party to wander the streets, searching for...for what? Meanwhile, Mastrioanni tries to inaugurate an empty affair with Monica Vitti, the daughter of a wealthy industrialist. The very elements that drive Mastrioanni and Moreau apart at the beginning of the film reunite them at the end. Maybe. L'Avventura and La Notte were the first two chapters in Antonioni's 'barreness and alienation' trilogy; the third, L'Eclisse, was released two years later. SCREENED/AWARDED AT: Berlin International Film Festival, David Donatello Awards, ...The Night (1961) ( La Notte ) ( La Nuit )