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26 of 26 people found the following review helpful
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This is a long, cool view of the Paris Opera Ballet Company. We see theatre staff, managers, fundraisers and costume technicians at work, and above all dancers, rehearsing and performing their roles. We even see the bee-keeper on the roof, but for dance-fans the glimpses of rehearsal-work are probably the most interesting aspect of this well-made documentary. Some of the overheard comments at rehearsal are priceless, but there is no actual commentary to this film.
Most of us are interested in dancers as people, but in this documentary we don't often hear them speak, we simply watch them at different moments at work in the theatre. Highlights are two short scenes in which two dancers are in conversation about their careers with the supportive Ballet Director, Brigitte Lefevre. This is a 'fly-on-the-wall' style documentary: the invisible film-maker (Frederick Wiseman, from the USA) simply observes and listens, he does not comment or ask questions.
The people we see aren't identified by name (unless referred to by someone else), so unless you are familiar with the Paris Opera Ballet, there is some mystery as to who people are; the ballet-excerpts featured aren't identified either. Most of the dance included here is from the contemporary repertoire, the lengthiest excerpt a scene in which Medea murders her children- and there is blood in buckets (literally!) There are a few minutes from (what appears to be) "Casse-Noisette", with glorious Georgiadis costumes: if only this were more than just a glimpse!
Some rehearsal-moments are telling, and memorable: a star ballerina is corrected by her teacher, "don't let your head fall back like that- if you do that, you are just doing it for the audience". In other scenes it's surprising to see dancers -for whom 'line' is so important- rehearsing in floppy track-suits.
The image-quality of this engaging documentary varies, and is disappointing. After the pin-sharp menu-card, the film itself was often so fuzzy that, except in moderate close-up, it was difficult to identify the individual dancers. The English subtitles are so out of focus they jangle. Apparently, it was originally photographed in 35mm. and unfortunately it doesn't transfer too well to a wider format. Blu-ray and high-definition are tending to make other formats for ballet look less good.
Most of us are interested in dancers as people, but in this documentary we don't often hear them speak, we simply watch them at different moments at work in the theatre. Highlights are two short scenes in which two dancers are in conversation about their careers with the supportive Ballet Director, Brigitte Lefevre. This is a 'fly-on-the-wall' style documentary: the invisible film-maker (Frederick Wiseman, from the USA) simply observes and listens, he does not comment or ask questions.
The people we see aren't identified by name (unless referred to by someone else), so unless you are familiar with the Paris Opera Ballet, there is some mystery as to who people are; the ballet-excerpts featured aren't identified either. Most of the dance included here is from the contemporary repertoire, the lengthiest excerpt a scene in which Medea murders her children- and there is blood in buckets (literally!) There are a few minutes from (what appears to be) "Casse-Noisette", with glorious Georgiadis costumes: if only this were more than just a glimpse!
Some rehearsal-moments are telling, and memorable: a star ballerina is corrected by her teacher, "don't let your head fall back like that- if you do that, you are just doing it for the audience". In other scenes it's surprising to see dancers -for whom 'line' is so important- rehearsing in floppy track-suits.
The image-quality of this engaging documentary varies, and is disappointing. After the pin-sharp menu-card, the film itself was often so fuzzy that, except in moderate close-up, it was difficult to identify the individual dancers. The English subtitles are so out of focus they jangle. Apparently, it was originally photographed in 35mm. and unfortunately it doesn't transfer too well to a wider format. Blu-ray and high-definition are tending to make other formats for ballet look less good.
8 of 8 people found the following review helpful
It is a long documentary on the dancers of the Paris opera. I've seen a few alredy and I think this one is probably the best. What I like about it is that there are NO interviews, everything is filmed as if the camera wasnt there making you feel like you are hiding behind the curtain to look at the dancers rehearsing, or even the dance Director talking about an upcoming event to her subordinates. I really enjoyed it; the only downside is probably the long ballet bit at the end, - beautifully interpreted by Delpine Moussin- but very emotional and probably a bit too long and misplaced in the documentary.
6 of 6 people found the following review helpful
An extraordinary fly-on-the-wall view of what goes on at the Paris Opera Ballet. But having at last managed to commandeer the family telly to watch this, I was a bit irritated with the amount of `padding' in this long documentary: numerous shots of sun going up/down over the rooftops of Paris, a man picking up rubbish between the theatre seats, a man hoovering between the theatre seats, a sewer underneath the theatre, something swimming in the sewer underneath the theatre...
Also, the lack of any narration meant you had to wait for the credits at the end before you could put a name to some of the ballets & dancers; some additional subtitles on this might not have gone amiss.
But how wonderful to see the superb Laurent Hilaire (just see him performing Petit's Carmen with Alessandra Ferri on YouTube), now in his role as inspiring ballet master. And watching all those rehearsals and listening to the thought processes behind the movements... it was fasinating. Hence the five stars despite the sewers.
Also, the lack of any narration meant you had to wait for the credits at the end before you could put a name to some of the ballets & dancers; some additional subtitles on this might not have gone amiss.
But how wonderful to see the superb Laurent Hilaire (just see him performing Petit's Carmen with Alessandra Ferri on YouTube), now in his role as inspiring ballet master. And watching all those rehearsals and listening to the thought processes behind the movements... it was fasinating. Hence the five stars despite the sewers.
Most Recent Customer Reviews
This is a grabber
This movie is really amazing. You can see the top world dancers and choreographers at work. Their comments and behavior open your mind to this hardest of all line of business which... Read more
Published 14 months ago by arapha
Disappointed, not so great
So many good comments on this documentary, but as a classical ballet fan I don't quite agree.
Why only one out of five stars? Read more
Why only one out of five stars? Read more
Published 17 months ago by Surfer
Look at me, I'm the boss!
I saw this at the cinema,and my feelings alternated between enjoying the rehearsals and getting a little fed up with the director's many interviews and inputs. Read more
Published 19 months ago by E. Coolican
fantastic film
A fantastic documentary film of backstage at the Paris Opera Ballet. A must for all
dancers and ballet enthusiasts.
dancers and ballet enthusiasts.
Published 21 months ago by Peanut (Copenhagen, Denmark)
Wonderful images
A great documentary with beautiful images. I woud like to have seen more indepth on others workers in the company (those who take care of the costumes, for instance)and the... Read more
Published 21 months ago by ssousa
La Danse -the only way ballet should be
Frederick Wiseman's documentary on the Paris Opera Ballet Company is an absolute jewel -he has done absolute justice to a fantastic company, where only the very best of the highest... Read more
Published 21 months ago by Emmanuelle
a must have video.
This video is a must for any ballet teacher or enthusiast. I watch it with my students who are inspired by the hard work the artists put in to achieve the end result. Read more
Published 21 months ago by Inger Perkins
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