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It was remade by Hollywood as The Birdcage, but this original is far funnier. Although perhaps a little dated and stereotypical in its depiction of gay life there is real sympathy for, and affection conveyed between, Renato and Albin. The scenes with the Charrier family, who, it turns out, have problems of their own, cut an utterly gloomy bourgeois contrast with the screaming flamboyance of the nightclub scenes. The Charrier's unscrupulous chauffeur is one of the film's many treasures, his final "Combien?" provoking the film's crowning guffaw. All this iced with a delicious soundtrack from Ennio Morricone which wafts with the nostalgic scent of late-1970s South of France.
On the DVD: La Cage aux Folles is unfortunately presented in a not terribly good 1:66:1 transfer: much of the crackle and faded colours of the original remain, while the soundtrack is fuzzy in places. The only extra is the original trailer. --David Stubbs
Since the days of Feydeau, the French have done farce far better than Americans, largely because American audiences miss the deep undercurrents of irony and see only the surface froth. The French version is drenched more naturally in social tension in the way only a collective and paternalistic society can, but retains a patina of freshness and charm. It's also more theatrical, though I rather like the performance element - it seems somehow more spontaneous.
Furthermore, Ugo Tognazzi and Michel Serrault are delightful. By comparison, the performances of Nathan Lane and Robin Williams seem worthy but derivative.
While I'd agree that the DVD translation could be better, many of the extras are worth having.
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