Now, I've probably mentioned before in
this column that if I go to heaven when I
die - the chances are slim, but I know a
couple of blokes on the inside - it will look
like Paris in the 1960s. Just in case, I'm
getting some practice in by listening to the
fantastic compilation La Belle Epoque -
EMI's French Girls 1965-1968 (Zonophone)
which contains a significant clue in its title
as to what to expect.
For a deliriously pleasurable 50 minutes, you are
sitting at a glass-topped wicker table outside a café on
the Champs Elysees circa 1967 with a croissant in one
hand and a bowl of coffee and a fistful of Gauloises in
the other, watching a succession of laughing
demoiselles saunter past backlit by the sparkling
sunlight reflected off of the hubcaps of your Facel Vega.
Ria Bartok, Christie Laume, Les Roche Martin, Alice
Dona... this music is nothing less than
therapy, bearing your spirits aloft on
champagne bubbles of uncomplicated
delight. All of the heroines mentioned above
released singles on EMI's evocatively-named
French labels in the `60s (Pathé, Odéon,
Ducretet Thomson) and the cream of the
crop is here, crisply remastered and
supported by knowledgeable sleeve notes
which bear reproductions of those
mouthwatering original picture sleeves
alongside. Is there anything more beautiful
than a French EP sleeve from the 1960s?
Trust me, there isn't - I've done the research.
This Collection of 40-year-old Gallic pop is distinguished by its
delicious melody and sophistication, but also clinging to it is an
unmistakable whiff of cabaret kitsch. Beautifully orchestrated and
featuring names such as Les Roche Martin, Christie Laume, Ria Bartok and,
less obscurely, Sandie Shaw, it's a silver of semi-forgotten musical
history pitched midway between show tunes and cheeky Parisian strip-parlour
sass. Naturally Serge Gainsbourg puts in an appearance, crooning on
Michele Arnaud's Les Papillons Noirs, which he also wrote.