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Fifteen-year-old Howie derives no support from the inept parenting of his widower father and instead seeks solace and companionship firstly with a group of delinquent burglar friends and subsequently with the former marine Big John, whose complex makeup--part father-figure, part Fagin, part Svengali, part abuser--leads Howie into an ambivalent relationship in which there are no easy answers or straightforward notions of right and wrong. The premise of the movie is thrown into sharp relief by the cosy New Jersey setting, all neatly-manicured lawns and cool interiors. Indeed, the most striking images in the film are the burglary scenes, in which Howie's furtive, awkward presence in the sterile blandness of his victims' uncluttered homes forms a double-edged metaphor for both the security and the anodyne mediocrity of the society from which he feels so alienated. --Roger Thomas
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