Originally meant as a "Vanity Fair" profile to herald the release of "Eyes Wide Shut", the material in Michael Herr's "Kubrick" was eventually published by the magazine as a eulogy. Regardless, Herr's intentions were honorable -- to introduce a Kubrick who was warm, witty and tireless in his quest for good conversation.
This somewhat restores the balance for fans who thought that Frederic Raphael's "Eyes Wide Open" unjustly underscored criticism of the director as a paranoid misanthrope. The Kubrick in Herr's book is eccentric, but never morose. In fact, whether he's talking current events, "The Godfather" or Homer, the director often comes off as an engaging smart ... who just wants to know everything.
Herr also offers some snapshots of Kubrick's artistic process -- such as the tight-ship handling of the "Full Metal Jacket" set and the initial preparations of the "Eyes Wide Shut" promotional campaign. But, ultimately, "Kubrick" is Herr's defense of his friend and little more. A touching, and literate, gesture, but not essential for those more interested in Kubrick's body of work than in his personal demeanor.