I say *almost* a masterpiece because the damn thing's so frenetic it occasionally reads like a verbal jet crash, swapping tone and mood every chapter or so.
Tristan Egolf's appallingly early death in 2005 robbed the world of one of its most fearsome and unique writing talents, comparable to George Saunders and Sam Lipsyte and other American satirists - Bill Hicks' children, tearing Uncle Sam a new one and pouring bleach into the wound. His first book, "Lord Of The Barnyard", was a colossal ranting epic with a daring lack of any spoken dialogue whatsoever. His second, "Skirt And The Fiddle", one of the funniest I have ever read, experimented with the opposite extreme, being very short and consisting of almost nothing EXCEPT dialogue. "Kornwolf" lies somewhere in the middle.
Just the premise of this book - that it's hard enough being Amish in the first place, never mind also being a werewolf - is enough to get you sniggering. In the heart of Pennsylvania, something demonic is cutting a swathe of chaos and panic through both the religious community and the urban folk, typically characterised by Egolf as a bunch of loathesome, loutish redneck morons (the corrupt local cop Rudolf Beaumont is wonderfully appalling). A mute Dutch farm boy, Ephraim, may or may not be the monster's daytime alter ego.
Egolf absorbs and spits out arcane facts with the ferocious obsessive-compulsive drive of Thomas Pynchon - entire family trees of local Amish sectors, a fascinating history of lycanthropy - and somehow merges this with a serrated black comedy. Just one example of many: the locals' varying (often drunken) descriptions of the beast are priceless. 'A mud-thrown kangeroo with a scorched pompadour', 'one of them toxic avengers'.
Towards the end he plunges into insane, frenzied gothic gore as befits a tale of the supernatural. The scene where Ephraim's scheming aunt triggers his final transformation into the werewolf in a particularly sadistic fashion will have male readers screaming in complete horror (I'll spare you the excruciating details...)!
I heartily recommend this, as indeed I do Tristan Egolf's previous two books. As Tool said of Bill Hicks, here we have an unfortunate case of Another Dead Hero.