If ever a singer could merit the title of 'Goddess of Song' then Ofra Haza would stand out as she.
Kirya, the Album, was produced with Don Was ( of 'Was Not Was') who wanted to work with Ofra after hearing her in a theatre in Japan. Her sound-checks brought the house to a stand-still. This album was nominated for a Grammy award.
The song 'Kirya', celebrates the city of Jerusalem, the song title is an affectionate colloquial name for the city. This song fuses middle-eastern sounds with western bass/slap bass. Ofra's powerful voice at its mystical best. All of the tracks on this album are powerful and memorable. Most are in English - with some Hebrew sections.
'Innocent - A Requiem for Refugees'. Ofra giving full range to a strong statement. Typically Ofra's style of singing uses her voice as a musical instrument, a legacy of her Yemenite-Jew ancestry.
'Daw da Hiya' features guest narrator Iggy Pop (not Lou Reed as commonly misquoted) is a song about the consequences of extra-marital sex for a woman in an intolerant society. Ofra mimics an accompanying harmonica.
'Trains of No Return' is a fitting lament about those trains of wartime Europe that carried many to their fate.
'Do Not Forsake Me', 'Horashoot', 'Mystery Faith and Love' - all songs that stand on their own merits as justifying buying this album.
This was my first Ofra Haza album - I went on to buy every album of hers that I could.
This is one of Ofra's 'International' albums, primarily in English. To really understand what a phenominal singer she was I recommend buying all of her 'Home' albums too. i.e. those produced in Israel for the home audience. Example 'My Soul' & the three 'Shirey Molodet' albums.