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As a plot device this works well in that the strange (to us) details of everyday life 500 years ago can be explained while the narrator's alienation serves as a proxy for own. Nevertheless this plot device at times wears thin particularly when the visitors are portrayed as credulous and naive.
The novel is on the whole extremely funny. It brings alive the confusion and anarchy of the 15th Century, peopling it with the smells and textures and bodily functions, you imagine must have been prevalent in a less sophisticated time. The plot is a riot, full of adventure revealed via a sucession of picaresque episodes. The denouement is disappointing and feels like an artificial resolution to an otherwise stunning adventure.
I couldn't put it down.
But how trustworthy is it? I ask because of the cartoon depiction of the future Richard 111. Rathbone appears to have swallowed More's satire and Shakespeare's morality play uncritically whole. The truth, if you're interested, is that Richard was a good king and able administrator, but fatally naive in politics and undone by treacherous factions, leaving the throne vacant for the truly evil Henry V11 and his terrorist son Henry V111. They don't teach that in schools either.
So how much of Rathbone's remaining research is robust? We've all got to think for ourselves in these times - that's the real lesson of September 11.
For further reading, you might like to try 'Good King Richard?' by Jeremy Potter, or for a diverting (but equally one-eyed) novel 'The Daughter of Time' by Josephine Tey.
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