The temptation to see Zog as a character from 19th Century Ruritanian operetta should be resisted. He was a tribal chief who made a central place for himself in pre-war Balkan politics, creating positions and titles until he was able to pronounce himself King. His methods and motives were equally ambiguous. If he sought wealth and personal aggrandisement, as he undoubtedly did, he also sought, but only precariously achieved, a place for Albania in a volatile corner of the world. Ultimately, his influence on the wider stage was only marginal but even in exile in the 1950s he was taken seriously enough to be courted by MI6 and the CIA.
Jason Tomes' portrait of this complex man is a model of its kind: it is lucid in its overview, telling in its eye for detail, eminently readable and frequently enlivened by a quizzical sense of humour. The research is impressive but it never overwhelms the story.
And in the end,does the reader feel that Zog was a Good King or a Bad King? Not the least achievement of this impressive book is that it can suggest that he was both. Read it for yourself and see.