Mirsky keeps us glued to this excellent first novel, using a subtle yet powerful story-telling technique that recalls old-time adventures involving swordplay, fair maidens in distress, relatives who are scoundrels, a misunderstood hero engaged in epic exploits, strange lands full of mysterious and wonderful peoples, and the power of good versus evil. The King of Vinland's Saga is a book the reader can't stay away from . . . and mourns when it is finished. -- Midwest Book Review, Fall 1999
THE KING OF VINLAND'S SAGA is a wonderfully rich adventure novel, with memorable characters, a storyline that is faithful to the mediaeval Icelandic sagas, and enough sword- and axe-play to please even the most jaded of adventure readers. Mirsky's work compares well to that of his predecessors, both in terms of capturing the gloomy mood of the saga and the larger-than-life heroes, while avoiding any blatant historical inaccuracies -- from the SFSite in Canada
The King of Vinland's Saga .earns a place on the bookshelf beside other neo-sagas such as Eric Brighteyes by H. Rider Haggard and E. R. Eddison's Styrbiorn The Strong. Mirsky has an excellent command of the saga style and spins a fine, page-turning tale -- IDUNNA Magazine, Summer '99
From the Author
When I set out to write this book I aimed to create a tale both modern and old-fashioned -- one which could hold its head up as an historical romance of the 19th century sort, yet still work for us moderns. To do so, I selected the "voice" of a 13th century sagaman to recount an 11th century adventure in the guise of a 19th century historical romance. And frankly, while I had to cheat a little to make the tale contemporary, I really didn't cheat all that much. In truth, adopting the voice of other times is actually a very respectable tradition for telling a tale of high adventure, though it seems to have gone out of style by the late twentieth century. (The closest thing we have to it today is "fantasy and science fiction"; -- which this book isn't, so be forewarned.) Hopefully, THE KING OF VINLAND'S SAGA will help make high adventure fashionable once more, finding its audience among those who like history or who just like their fiction well-leavened with the archaic. For myself, I was particularly taken with the remarkable sympathetic resonance between the old sagas of medieval Iceland and the American mythos of the West so I tried to capture that as well. I hope the reader will find some or all of this in the book offered here. I, at least, enjoyed writing it.