- Hardcover: 398 pages
- Publisher: Thomson Learning; 2nd Revised edition edition (17 Dec 1981)
- Language English
- ISBN-10: 0174436408
- ISBN-13: 978-0174436409
- Product Dimensions: 20.5 x 13.2 x 2.3 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 5,743,530 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Description
Amazon.co.uk Review
"Now is the winter of our discontent," intones Richard, Duke of Gloucester at the beginning of Shakespeare's Richard III, one of his most abidingly popular plays, and one of the most chilling portrayals of political tyranny ever seen on stage. Richard emerges from the chaos which surrounds the reign of Henry VI, already dramatised by Shakespeare earlier in his career, determined to become king by removing his elder brother Edward IV by convincing him that their brother Clarence is plotting against the crown. The deaths of both Clarence and Edward take Richard inexorably towards the crown, and the series of murders and conspiracies that Richard masterminds confirms his claim that "I am determined to prove a villain". Richard's political and sexual charisma are truly chilling, and his seduction of Lady Anne, over her husband's corpse is one of the most disturbing scenes in Shakespeare. At another level, the play is also a strongly anti-Yorkist play, which has a vested interest in portraying Richard as such as vicious tyrant before seeing him toppled, ushering in a period of rule which prefigured the Tudor dynasty of which Elizabeth I was herself a part. The play has had a deep and lasting influence on audiences and writers; Brecht rewrote the play as The Resistible Rise of Arturo Ui, while both Laurance Olivier and Ian Mckellen have produced memorable film versions of Richard III, the latter updating the play into a 1930s fascist state ruled over by a Richard akin to Oswald Mosley. --Jerry Brotton
--This text refers to an out of print or unavailable edition of this title.
Product Description
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
--This text refers to the
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Customer Reviews
Most Helpful Customer Reviews
18 of 21 people found the following review helpful
Format:Audio CD
This audio book is a fantastic work of art. The play is well spoken and very well acted.When listening to it one feels as if sitting in a theatre. The play comes alive in front of your inner eye, you forget where you are and what you do. You'll be thrilled!
9 of 17 people found the following review helpful
Format:Audio CD
If studying this novel the CD works brilliantly alongside it, you can hear HOW the lines would be delivered and get a better overall effect of the play! Def worth it
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
2 reviews
11 of 11 people found the following review helpful
fantastic
3 Jun 2002
Format:Audio CD
The Naxos recording is an excellent rendition of RIII. The characterization is rich and well done. Full of passion and rage, you don't need to see the actors to "see" the play. The scene with Anne is particularly good.
Excellent production
4 July 2008
Format:Audio CD
The actors in this production are superb. Stella Gonet as Lady Anne is exceptional. Even without seeing the play, it is easy to understand because the actors read with such expression that the listener becomes totally immersed in the story. I loved it.
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