First novel by inventive left-wing fantasy author China Mieville, in which young Saul Garamond comes to terms with his true identity as a half-rat superhero, after the murder of his father. Set in the shadowy, seamy underbelly of London, this novel is also about the esoteric world of drum-and-bass music. The characterisation is fairly flat, and there really should be a bit more of a background to Saul; King Rat is not quite in the same league as the Bas-Lag novels, but still displays a brilliant imagination, and a rather anarchic mix and match approach which I find very stimulating.