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King Kong [DVD] [1933] [Region 1] [US Import] [NTSC]

Fay Wray , Robert Armstrong , Ernest B. Schoedsack , Merian C. Cooper    DVD
4.6 out of 5 stars  See all reviews (66 customer reviews)
Price: £20.59
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Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details). Please expect a delivery time of 5-7 days.

Frequently Bought Together

King Kong [DVD] [1933] [Region 1] [US Import] [NTSC] + King Kong [DVD]  [2005] (2 Disc Special Edition) + King Kong [DVD]
Price For All Three: £31.32

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Product details

  • Actors: Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher, Sam Hardy
  • Directors: Ernest B. Schoedsack, Merian C. Cooper, Peter Jackson
  • Writers: Merian C. Cooper, Edgar Wallace, James Ashmore Creelman, Leon Gordon, Ruth Rose
  • Format: Black & White, Closed-captioned, DVD-Video, Original recording remastered, Restored, Special Edition, Subtitled, NTSC
  • Language: English
  • Subtitles: English, Spanish, French
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 2
  • Classification: PG (Parental Guidance Suggested) (US MPAA rating. See details.)
  • Studio: Turner Home Ent
  • DVD Release Date: 22 Nov 2005
  • Run Time: 100 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (66 customer reviews)
  • ASIN: B00003CXAW
  • Amazon Bestsellers Rank: 185,390 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)



"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson,

On the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker


A classic due mainly to Willis O'Brien's animation work and the screaming power of Fay Wray. -- The Guardian

Has lost none of its power to move, excite or sadden. -- Time Out

The greatest monster movie of all. -- Halliwell's Film Guide

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Customer Reviews

Most Helpful Customer Reviews
41 of 43 people found the following review helpful
5.0 out of 5 stars Classic Film 1 Dec 2005
I've just read the previous reviewers comments that this film is outdated. That may be because its SEVENTY TWO YEARS OLD! This film would have been terrifying at the time, the stop action animation was state of the art and the audience would have bought it. The story is an absolute classic and still stands up today although film structures have changed and it may seem rushed. I would recommend anyone to see it before the Peter Jackson film just to get an idea of how some elements of films have changed but the important ones have stayed the same.
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7 of 7 people found the following review helpful
5.0 out of 5 stars Classic King Kong finally on bluray 13 Mar 2011
Format:Blu-ray|Verified Purchase
I can't add much to that what's already known: King Kong is still one of the best adventure/fantasy/monster movies in the history of filmmaking. It is simply amazing that a movie of almost eighty years old is still a true joy to watch and to watch again. Now the gem is finally on bluray and it is something for the real filmlover and collector to own. Its packed in a great hardcover book with the story behind the film, the film itself is restored to its maximum and the disk is also packed with fantastic documentaries...Like I said, this is what a bluray version of a classic should look like. Highly recommended. Oh by the way. It's an American import, but it's region free so it can be played without any trouble on region 2 players.
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7 of 7 people found the following review helpful
5.0 out of 5 stars LONG LIVE THE KING 30 Nov 2004
Without a doubt the first, the greatest and the best action film of all time. Nothing keeps you on the edge of your seat as much as the scene of the brontosaurus in the swamp chasing the sailors into the jungle to only meet Kong who shakes them from the log bridge to their deaths.
Truly a masterpiece! I agree that today's special effects are without a doubt great but Kong tops them all. The techniques used were so visionary for the time.
If you are a true film collector, you must have this dvd.
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3 of 3 people found the following review helpful
5.0 out of 5 stars old gold 2 Oct 2004
King Kong is one of those genuinely iconic movies that transcend classification and time. This is not to say it isn't dated; as an early talkie - and a special effects driven one at that - it inevitably is. Yet its primitivism actually adds to its enjoyment. By the standards of any generation 'Kong', once it gets going, is still pretty much the most sustained, fast-paced and imaginative action adventure ever made.
Examined against modern CGI monster movies, the stop-motion techniques of Willis O'Brien may now look jerky and crude, but the sheer scale and ambition of them is still way ahead of anything done since. Think about it, in all the Jurassic Park's and Godzilla's of the last generation, it's more the conviction and naturalism of the monsters themselves that we admire rather than what they actually get up to. A triumph of muscle and tissue co-ordination, they run around a bit and attack people and let out deafening surround sound-roars, but do any of them manage the kind of big scale action Kong does? Within an hour of screen time our great ape fights three separate monsters, brings down a native village, rips up New York and becomes a cinematic martyr atop the Empire State Building. Beside this the activities of our snorting, sweating, salivating CGI creatures seems quite passive.
Its this giddy ambition of the film that still keeps it ahead of the pack. Despite all the money chucked around, no recent monster movie has ever delivered quite so much. If we can see beyond the squeaky soundtrack, the dodgy acting and fuzzy monochrome we can still shake our heads and marvel at the fact that it was even attempted, let alone done.
And lets not ignore the other aspects that make Kong great.
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13 of 14 people found the following review helpful
5.0 out of 5 stars Still Towers Above The Competition 14 Jun 2001
Format:VHS Tape
As a budding movie historian and lover of all films, King Kong was unmissable. I collect all kinds of classic films but this is one that I think all movie fans should enjoy. The picture is in itself an historical landmark in the history of celluloid, featuring groundbreaking special effects, a star performance that would become a household name and one of the iconic images of American popular culture and the definitive 'damsel in distress'. This film gave a deafening roar that echoes today. But as a work of art, it is not to be missed. Being that we have all been reared in the post-Kong days of cinema, the idea of a giant ape stalking his prey is hardly shocking, we say 'oh that's just King Kong', but the first shot of the beast is still utterly gripping. Political correctness and liberalism tell us to look at Fay Wraye's performance as a symbol of the dark days when women were treated as dolls and weak creatures, but she portrays a classic role to perfection, and political incorrectness was never this good. Kong and his prehistoric pals are brought to life by stop-motion animation, some of the movements are rather jerky and the effects themselves are primitive by today's standards, but the effect that they generate has never been lost. Kong was in reality a metal skeleton with sponge-rubber muscles covered in rabbit fur, but 30s audiences and the 30s cast found it realistic, and that movement provides one with a feeling it would take more than a computer to beat this. The famous wall and door, behind which Kong resides was first used in Cecil B. De Mille's King of Kings, and was later used as a burning backdrop in the doomed city of Atlanta in Gone With The Wind. This film is packed to bursting point with breathtaking action and wonderful work all round, as a landmark and as a film, this one is truly special.
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