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Kill Clause [Mass Market Paperback]

Gregg Hurwitz
4.3 out of 5 stars  See all reviews (7 customer reviews)
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Product details

  • Mass Market Paperback: 578 pages
  • Publisher: HarperCollins; Reprint edition (11 Nov 2004)
  • Language English
  • ISBN-10: 0060530391
  • ISBN-13: 978-0060530396
  • Product Dimensions: 17.1 x 10.6 x 3.2 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 26,980 in Books (See Top 100 in Books)

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Gregg Hurwitz
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Product Description

Review

"THE KILL CLAUSE is like a literary Law & Order, without the commercials. Bottom Line: Killer read."--People

Product Description

A riveting and explosive novel, The Kill Clause is a brilliantly inventive tour de force by a powerful new master of suspense. Tim Rackley is a dangerous man of honour, a deputy U.S. marshal who is very good at his job - until everything he believes in is shattered by the brutal murder of his own daughter. Betrayed by an imperfect judicial system, Rackley watches helplessly as the killer walks free on a legal technicality. Devastated, furious, and burning with a righteous need for vengeance, he is suddenly forced to explore his own deadly options - a quest that leads him into a shadowy noman's-land between justice and the law...and into the welcoming fold of 'the Commission.' A vigilante group made up of people like him, relentless streetwise operators who have each lost a loved one to violent crime, the Commission confronts the failings of a system that sets predators loose to hunt again, cleaning up society's 'mistakes' covertly, efficiently, and permanently. But as he is dragged deeper into a deadly morass of hidden agendas and murderous justice, Tim Rackley discovers that playing God is an excruciating and fearsome task. When his new secret life starts coming unwound at an alarming speed, he is suddenly caught in the most terrifying struggle he has ever faced - a desperate battle to save his marriage, his career, his life, his soul...and everything left that's worth fighting for.

Inside This Book (Learn More)
First Sentence
WHEN BEAR CAME TO TELL HIM THAT GINNY'S BODY HAD been found raped and dismembered in a creek six miles from his house, that her remains had required three biohazard bags to depart the scene, that they were currently sprawled on a pathologist's slab awaiting further probing, Tim's first reaction was not what he would have expected of himself. Read the first page
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Customer Reviews

Most Helpful Customer Reviews
9 of 9 people found the following review helpful
Format:Hardcover
In a compellingly emotional opening to the book, Tim and Andrea Rackley are faced with the news that their 7-year-old daughter has been horrifically murdered. Their heartbreaking grief and despair is captured in a few powerful pages and gives us the motivation that drives Tim for the rest of the book. To add to their misery, the man who committed the murder is allowed to walk free thanks to a loophole in the legal system.

As a highly trained Special Forces officer turned Deputy Marshall, Tim has the power and the opportunity to exact any form of revenge he chooses on his daughter’s murderer, but refrains from doing so when he learns that an accomplice may have been involved. Meanwhile, his marriage is being ripped apart as Tim and Andrea try to come to terms with the loss of their daughter. Just when it looks as though the marriage is beyond salvation and after he quits his job, he is approached by a man offering him a chance at some measure of revenge, luring him in with the possibility that he will also get a shot of finding the mysterious accomplice.

Essentially, what Tim is asked to do is join a group of vigilantes, calling themselves The Commission, who are aiming to serve their own justice on criminals who they consider have escaped penalty due to shortcomings in the legal system. Of course, Tim accepts and the action takes off from there as candidates are assessed and their fate is decided, with the penalty to be meted out by Tim.

This is a tremendously fast-paced book that highlights the way in which severe emotional situations can skew the judgement of even the most level-headed thinkers. I had a great time reading this book, finding it both thought provoking and white-knuckle thrilling.

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4 of 4 people found the following review helpful
By Grady Harp TOP 1000 REVIEWER
Format:Hardcover
Not being a reader of crime novels (unless the Hannibal Lecter series included in that genre)I came to this book with some resistance. Could a story about killing and violence hold up as a novel for me? Well, in the case of the talented Gregg Hurwitz's THE KILL CLAUSE the answer is decidedly YES. This is an excellent example of what in the art world is an ongoing argument of Form following Function. Does the style justify or validate the subject? It is here that Hurwitz seems to be a master of sorts. And for opening that door of appreciation of a different writing form I am very grateful.
The story, well reviewed on these pages, is one of the grisly murder and dismemberment of the young daughter of two law enforcement people (mother Dray is a deputy and father Jim is a US Marshall with an extensive background in special agent type activities). The very clearly drawn focus of the story is how these two cope with their loss and more importantly, how they handle their roles as law enforcers when the temptation is to gut level respond to exterminating the killer. Just how this all happens and how the couple work through the moral dilemmas they face is the crux of this well executed tale.

Hurwitz' writing style is terse, succinct, and maintains forward momentum right to the end (for a 'first crime novel experience' and for a 388 page book I was surprised to read it in one day, so involved does Hurwitz keep his readers). He also has the unusual respect for the reader as to use the frequent all-cap abbreviations of law terms, which could leave the reader lost, and usually within the next sentence gently, and in context, state what these foreign terms mean.

In all, an excellent tale, though grisly, very well told. A series of crimes and actions are related in a spare, gunshot tattoo writing style that still provides full-blown character and scene descriptions while maintaining the momentum of the story.

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2 of 2 people found the following review helpful
By Joseph Haschka HALL OF FAME TOP 500 REVIEWER
Format:Hardcover
THE KILL CLAUSE is one of those thrillers where I almost feel guilty not awarding a High Five.

U.S. marshal Tim Rackley lives in SoCal with his wife Andrea, a deputy in the local police department. On the very first page, the two learn that the dismembered body of their 7-year old daughter, Ginny, has been discovered. Shortly thereafter, the suspected perp, a convicted child molester named Kindell, is cornered. Before the man is taken in for booking, Tim is given an opportunity by the arresting officers to execute the suspect. Left alone with Kindell, the slimeball gives Tim the hint that there was an accomplice, so Tim allows him to be taken into formal custody hoping the subsequent investigation will yield more information. But it doesn't, and the court sets the accused free on a technicality. Soon thereafter, Tim is approached by The Committee, a vigilante group of five men and one woman proposing to act as judge and jury on seven high profile murder cases where the suspect has gone free. They want Tim to join their deliberations, and then execute those condemned. The bait is the seventh and last case, which is Kindell's. Well, it seemed like a good idea at the time by all concerned.

There's much that author Gregg Hurwitz does right in this book. His prose skillfully depicts gritty and suspenseful action. The dialog is well constructed. (My pet peeve about too many potboilers is that all characters "sound" the same.) Rackley himself has a clever bag of tricks from years of military and law enforcement experience that makes him an eminently dangerous man. He knows how to booby-trap a .357 pistol so it blows off the shooter's hand, or pack an audio earpiece with explosive so it blows off a head. He can simulate infected needle tracks using a syringe full of Visine, Comet cleanser, and a crushed vitamin C tablet. He pulls metal fragments out of his body using nothing but Advil, hydrogen peroxide, and a tweezers. Don't try these parlor tricks at home.

My biggest problem with the novel, compelling me to shave off a star, is that I never felt more than indifference towards Rackley. Yes, the murder of Tim's daughter and the subsequent downward spiral of his marriage did inspire sympathy. Yes, I was riveted by his consummate and deadly resourcefulness. But there was nothing about the man that was particularly engaging. I think of other fictional action series heroes whose quirks make them endearing. Trouble-magnet Munch Mancini (by Barbara Seranella), who has a smart-mouth response to life in general. Ex-military cop Jack Reacher (by Lee Child), a rugged individualist so out of the mainstream that he hasn't a clue how to iron a shirt or manage a household budget. Or skip tracer Stephanie Plum (by Janet Evanovich), who's basically just a klutz. Even Eastwood's Dirty Harry persona had his catchy sayings ("Are ya feeling lucky, punk?") Rackley is nothing of the sort. And while this didn't prevent me from finishing the book, it would, oddly enough, keep me from buying other novels by the same author. A hero with a likability quotient means that much.

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