"Kill Chain", the fifth book in Meg Gardiner's series featuring Evan Delaney, establishes beyond question the legs for many more stories with these characters and offers up fresh possibilities at a point where many series often come unstuck. Gardiner's thrillers are tough, honest and heartfelt, and the severe emotional kicking that was the second half of "Crosscut" marked an increased maturity in both her writing and the issues her books confront - a maturity that is carried over to "Kill Chain" from the very first page: you are left in no doubt from the offset that things are going to change.
This is at heart a good old-fashioned race-against-time thriller that starts you off at a run and builds an almost irresistible momentum as it tears through its various mysteries and locations on the way to a tense and surprising showdown. Gardiner sidesteps the potential flaw of rendering her travelogue virtually irrelevant in this rush by exploring the locations in conjunction with the plot, making them a key part of proceedings rather than simply trying to distract us with new scenery. From the streets of Bangkok to a terrific sequence on the London Underground, she amps up the intrigue with a keen eye for her settings and a barrage of thrills, including what is probably the most nonchalant use of a chair as a weapon ever written.
Gardiner is a writer of great talent, filling proceedings with the kind of emotional richness that really marks her books out for me, and reminding us of the humanity and fallibility of her characters with effortless asides. She also juggles the various story elements - among them the imminent sense of threat throughout, an at times literal countdown and the changing emotional commitments of various characters - with consummate skill, and is not afraid to leave certain things hanging come the end (in a move that left me itching for the next one, so I hope she gets to it before too long!).
So, why not five stars? Well, I've come to expect great things of Ms. Gardiner after her last three books, and this can feel almost a little too convenient in places. The importance of this book in the context of the series is indisputable, and it is expertly paced and marshalled throughout, but I would now like to see Gardiner's writing shift up to the next level of which she is so clearly capable. I'd easily put this up against anything else being written today, and urge anyone who has yet to read Gardiner's books to start as soon as possible.