Firstly, I have to confess to not being aware of Kiki Dee before the release of the single 'Amoureuse' in the '70s. I was also ignorant of the fact that she had a catalogue of recordings and experience prior to that landmark song until I came across
1000 nadelstiche, Vol.10 (UK Girls)where some three of her songs from the '60s appear in German. It was therefore with great interest that I awaited my copy of 'The Fontana Years 1963-1968'.
For me, this CD is pretty much divided into two sections. Although not presented in a strictly chronological order, the first 16 tracks include her earliest recordings, and, as one might expect for a newly signed and very young artist, there are some clunkers in there (sorry Kiki, I'm sure they made you do them). The second half of the disc is of most interest and enjoyment to me, covering the bulk of 1966-1968, when her voice had matured to be the unmistakeable one we know and love today and when her material and arrangements were superior. Listening to it once again begs the question : why wasn't she elevated to the same star status as others when she clearly had the talent ? Unfortunately this is a question that will never be definitively answered, where the whims of a certain time and the promotion of certain artists conspire to squeeze some others out. After all, Kiki performed at the 15th San Remo Festival alongside her compatriots Dusty Springfield and Petula Clark yet she had to wait 10 years for serious recognition.
The spine of this release carries the slogan : By Collectors For Collectors, and that sums up this compilation very well. It aims to be complete and for the completist, including some material that clearly isn't top notch. Sound quality is variable in the early years which, from what I can gather, is due to the original recordings and not the mastering for this disc.
Once again, RPM, a Cherry Red label, has brought together an important body of work that will more than satisfy the curious, the fan and the completists alike. With a very generous 32 tracks one could never feel cheated if not every single is brilliant or a hit - remember, this is a chronicle of all her recordings for Fontana. What is for certain, though, is that many of them should have been hits and will provide enjoyment for fans today, hopefully more than they did back in the '60s when they were released. If you like Kiki Dee's voice, buy this without hesitation. The liner notes and photographs are a bonus at this very attractive price.