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Kevin McCloud's Grand Tour of Europe
 
 
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Kevin McCloud's Grand Tour of Europe [Hardcover]

Kevin McCloud
4.4 out of 5 stars  See all reviews (11 customer reviews)
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Kevin McCloud's Grand Tour of Europe + Kevin McCloud's Principles of Home: Making a Place to Live + Grand Designs Handbook: The Blueprint for Building Your Dream Home
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Product details

  • Hardcover: 216 pages
  • Publisher: Weidenfeld & Nicolson (21 Sep 2009)
  • Language English
  • ISBN-10: 0297859560
  • ISBN-13: 978-0297859567
  • Product Dimensions: 28 x 25.8 x 2.8 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Bestsellers Rank: 122,254 in Books (See Top 100 in Books)

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Kevin McCloud
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Product Description

Review

'Kevin McCloud is a good guide and host because he's immensely enthusiastic and knowledgeable about his subject, architecture, and he's completely engaging without being patronising.' (RADIO TIMES (TV review) )

'He is on good form here, setting off on an enjoyable and illuminating four-week excursion' (SUNDAY TIMES (TV review) )

'a breezy architectural travelogue' (SCOTLAND ON SUNDAY (TV review) )

'Hugely entertaining and informed take on the 18th and 19th-century upper-class experiences of Europe and their influence on British culture.' (WOMAN & HOME )

Product Description

Loosely following in the footsteps of the most notorious grand tourists Kevin clambers in, on and amongst the greatest buildings, ruins and cities in Europe and also veers drastically off the official path to visit the brothels, bathhouses and drinking dens which formed the other half of the grand tourists' experiences. This accumulation of sights sounds and smells allows a sense of what it must have been like for a callow Briton to have come face to face with the heat and the noise, the drama and still living history of the civilisations of Europe. As always, Kevin, who speaks French and Italian fluently, is an entertaining and masterly companion as we delve behind the facades we all think we know so well.

Inside This Book (Learn More)
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Front Cover | Table of Contents | Excerpt | Back Cover
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Customer Reviews

11 Reviews
5 star:
 (6)
4 star:
 (3)
3 star:
 (2)
2 star:    (0)
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Average Customer Review
4.4 out of 5 stars (11 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

15 of 15 people found the following review helpful:
5.0 out of 5 stars Kevi Mc Cloud grand Tour of Europe, 16 Oct 2009
By 
Mr. J. Lord - See all my reviews
(REAL NAME)   
This review is from: Kevin McCloud's Grand Tour of Europe (Hardcover)
This book is well worth buying. The photographs and the whole content of the book make for some excellent reading
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Beautiful Coffee Table Book, 30 Oct 2009
By 
G. Bailey "Spike666" (London, UK) - See all my reviews
(REAL NAME)   
This review is from: Kevin McCloud's Grand Tour of Europe (Hardcover)
Kevin McCloud never fails to captivate on the TV screen and with this book he brings that same charm to print. The book basically follows the same format as the TV series giving some extra insight the subject, I couldn't wait to get my hands on it and every visitor to my home cannot resist flicking through it's pages.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars Valuable Insights Marred by Silly Errors, 3 Mar 2010
By 
Nicholas Casley (Plymouth, Devon, UK) - See all my reviews
(TOP 100 REVIEWER)    (REAL NAME)   
This review is from: Kevin McCloud's Grand Tour of Europe (Hardcover)
I thoroughly enjoyed Kevin McCloud's four-part television series. (Why is it not available on DVD?) I thought his marrying of certain architects and architectural movements in England with certain buildings and styles in Italy and Greece was an imaginative reworking of the traditional Grand Tour programme; the combination of times and places seemed genuinely here to have historical meaning, reflected in concrete examples found in parks and on high streets throughout the land. I was looking forward to reading the book, therefore, to learn some more. But unlike many books of TV series, this one told me little more.

McCloud is a designer and architect, so this is very much a designer's and architect's Grand Tour. For those with a more artistic bent, wanting to witness the painting and sculpture (as well as the architecture) of the Italian Renaissance, then Brian Sewell's series (on DVD) is to be recommended instead. For those without a focus on the arts but wanting to explore the idea of the Grand Tour, then the books by Jeremy Black or Christopher Hibbert are can be recommended in their different ways.

The book consists of an introduction and twelve chapters that are uneven in length. In his opening sentence, McCloud states immediately that he is no expert on the Grand Tour. Rather than present a basic history, "we took a more cursive and personal route ... [focussing on] four big ideas in the history of Big Ideas." So we have Inigo Jones's introduction to Palladianism; Christopher Wren's "domological detective story"; the marrying of archaeology and design by the Adam family; and the Romantics' rediscovery of Greece and of nature.

The book is co-written with Isabel Allen, but we are not told who she is or what her expertise encompasses. There is no map, no index, no glossary, no references, and no notes (but there is a list of further reading). These should immediately have put me on my guard, and indeed I was soon surprised to find that Mr McCloud admits Paris has power and composure but no passion or romance. Really? Seven pages later we are told that Inigo Jones was the "first proper architect in this country". Really? Later we read, "To avoid the mountains, ... Grand Tourists would travel south to Marseilles or Cannes." Really? Some maybe, but most went over the Alps. I can cope with errors of view, but when it comes to errors of fact, such as mistaking the sex of Hester Thrale, I almost gave up reading any further.

It's by no means all bad; I do give this book four stars, after all. McCloud has some perceptive things to say about Venice, for example, but I am more inclined to believe what he has to say about its buildings than about its social history; building bridges there deliberately so that men could look from below up inside a woman's skirt indeed! Having said that, I then read how Palladio "never built within the city of Venice itself." What a strange statement! How about San Francesco della Vigna or Santa Maria della Carita, or San Pietro di Castello? Even the Giudecca and San Giorgio are within Venice.

McCloud makes the valid point that British town planning has never in practice achieved the heights of the grand sweeping gestures of Paris or Rome because these latter cities relied on the absolutism of a Louis XIV or a Pope. Arguably, the closest London has come in these stakes was the work of John Nash for the Prince Regent. Post-medieval Britain always placed trade above art in that respect.

There is a welcome expansion of the traditional Grand Tour to Greece, and I liked the display of postcards showing views of the many and various museums and town halls in Britain that based themselves to a greater or lesser extent on the Greek temple form. But even here, the embarrassing errors keep coming, such as when we are told that Ancient Greece operated for most of its existence as a republic, or that it was "inundated" with Grand Tourists during the Napoleonic Wars.

And McCloud is good to have taken the Grand Tour further in time to the point where the Nature Sublime became reason enough for the journey: "In the quest for the Sublime the more Romantic travellers began to view man-made art and architecture as less important than the landscapes themselves." John Ruskin becomes the guiding light in this part of McCloud's book, under whose aegis "glaciology, the Sublime, buildings and art all meet ..."

Much of this book is more photograph than text, but many of the full-page shots have no caption to tell you what they are. I think if all the pictures were taken out of it, the remainder would be a very slim volume. But all credit to McCloud for the stirring words at his journey's end. It was a journey that I would willingly take with him again, because he is good company and he does have some very interesting and insightful things to say. It's just a shame that the truth of his story is marred by silly errors of fact and judgement.
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