Keely Sings Sinatra

Funny thing is I nearly cancelled the order because I figured there was no way either a contemporary band could be as good as that fabulous Capitol studio band nor did I dare hope that Keely's voice could have fended off the passage of 40 years. Boy am I glad I didn't! Once you get past the slightly schmaltzy introduction by Frank Sinatra Jr (justifiable given the project but it may put off some listeners), the Frankie Capp orchestra kicks into classic Capitol mode and Keely sings with authority and verve. Sure, the voice has changed but with the changes have come new flavours and a wicked sense of timing - and humour.

The Sinatra songs covered are mostly what one would expect, but the real pleasure is that they are executed not apologetically but with a driving, punchy feel. Even the ballads are imbued with a sense of energy. Particularly thrilling is the version of "I've Got You Under My Skin" which is only the lightest reworking of that classic Sinatra arrangement. At last a chance to hear in digital stereo a superb modern band play that incredible instrumental section half way through the song - complete with slick trombone solo and Keely cheering the band on from the vocal booth. Tingle factor = 100%

If, like me, you are hesitating before buying this because you fear disappointment, hesitate no longer - you won't be sorry. It's living proof that the REALLY good things in life endure forever!

Both Sinatra and Keely Smith worked with Nelson Riddle and Billy May, whose arrangements echo throughout this album, featuring the full Frankie Capp Orchestra. Introduced by Frank Sinatra, Jr., the album begins with the light "South of the Border," the lovely ballad "I've Got a Crush on You," and the passionate "Night and Day." Gradually, the selections become more complex, drawing more fully on Keely's versatility, timing, and note-perfect range of several octaves. "A Lovely Way to Spend an Evening" is at least as good as any version Sinatra recorded, and "Come Rain or Come Shine" features a vampy interpretation and Keely's wonderful, controlled vibrato. In "I've Got You Under My Skin," Keely soars, completely confident in her strong voice and its ability to hold its own in concert with a full orchestra, all playing full-out.

The second half of the album features Frank's most famous songs, including "New York, New York," "It Was a Very Good Year," and "My Way," all done with sensitivity, emotion, and Keely's full-voiced style. (Keely reveals in the liner notes that Sinatra was amazed that she was still able to hit the final high note of "My Way" so easily.) Frank Sinatra, Jr. closes the album with a forty-five second tribute to his father. The love just oozes from this album as every person involved in it pours out his/her heart. With Keely singing these songs in much the way that Sinatra sang them in the early and middle part of his career, they remind the listener just how huge Sinatra was for over forty years--and how huge Keely remains. Mary Whipple

what a brilliant album with great arrangements and a great big band the frankie capp band ( just as good as nelson riddle ).

but the best song on this album is my way i don't know how she keeps the note so long at the end because she was in her 60's when she recorded it.

but this is a must for any serious fan of keely smith or someone who is a fan of good music and the great american songbook.