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Most Helpful Customer Reviews
This assortment of bits and bobs from Keaton's career in film and TV - no gems, more some interesting oddities - is in fact the extras disc from Kino's NTSC The Art of Buster Keaton collection, which means that completists who already have three versions of many of the films on different issues (guilty as charged) don't have to buy them all over again just to fill in the gaps.
It's certainly a very mixed bag: extracts from uncompleted film Ten Girls Ago and shorts Daydreams and The Love Nest, a completely remastered print of Hard Luck, two educational shorts, Allez-oop! and Jail Bait and a TV production of The Awakening. There are also extracts from four episodes of Life with Buster Keaton as well as commercials for Phillips 66, Shamrock Oil, Kodak and, ironically considering his alcoholism, Simon Pure Beer as well as home movie footage of Keaton in Paris, and briefly, filming The General. There's a Keaton interview, extract from This Is Your Life, introductions for TV screenings of his films by Orson Welles, Lillian Gish and Gloria Swanson as well as stills and photo galleries and then-and-now location comparisons. Nothing really essential and not much entertainment value for the casual viewer, but nice little bits for the Keaton fan even if they do leave you hungry for more.
It's certainly a very mixed bag: extracts from uncompleted film Ten Girls Ago and shorts Daydreams and The Love Nest, a completely remastered print of Hard Luck, two educational shorts, Allez-oop! and Jail Bait and a TV production of The Awakening. There are also extracts from four episodes of Life with Buster Keaton as well as commercials for Phillips 66, Shamrock Oil, Kodak and, ironically considering his alcoholism, Simon Pure Beer as well as home movie footage of Keaton in Paris, and briefly, filming The General. There's a Keaton interview, extract from This Is Your Life, introductions for TV screenings of his films by Orson Welles, Lillian Gish and Gloria Swanson as well as stills and photo galleries and then-and-now location comparisons. Nothing really essential and not much entertainment value for the casual viewer, but nice little bits for the Keaton fan even if they do leave you hungry for more.
Most Helpful Customer Reviews on Amazon.com (beta)
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6 reviews
8 of 9 people found the following review helpful
Not like a Greatest Hits, but more like some great B-Sides
27 Jun 2005
This DVD does not showcase Buster Keaton's famous and incredible body of work (his silent films), but highlights some relatively hard to find films/outtakes of his. It is a great collection for both Keaton fans and for newcomers to appreciate the greatest film comedian of any generation.
If you are not aware of Buster Keaton's history, in the late 1920's he signed with MGM only to lose the complete creative control he had experienced in his silent films. Consequently, his body of work beyond the silent era is largely uncreative and most is very difficult to watch a genius reduced to poor scripts and shallow characters. MGM didn't understand what to do with him and basically made him a boob to Jimmy Durante's loudmouth character. Poor Buster.
However, Buster did work consistently and managed to eek out a living and find work in some tolerable films. Some of these are gathered here.
The highlight of the DVD for me was the "Silent Echoes" chapter, in which the author of the Buster book "Silent Echoes" takes us on a then/now trip through the old Hollywood of Buster's filmmaking days, mapping the film's locations to present day (or to historical photographs in the cases where the building had been demolished). I was glued to the screen for days watching this over and over.
Despite not containing Buster's more famous film clips, this is a very enjoyable collection. If nothing else, I believe it's the only place you can see the short "The High Sign" in its entirety, which, alone, is worth the price.
If you are not aware of Buster Keaton's history, in the late 1920's he signed with MGM only to lose the complete creative control he had experienced in his silent films. Consequently, his body of work beyond the silent era is largely uncreative and most is very difficult to watch a genius reduced to poor scripts and shallow characters. MGM didn't understand what to do with him and basically made him a boob to Jimmy Durante's loudmouth character. Poor Buster.
However, Buster did work consistently and managed to eek out a living and find work in some tolerable films. Some of these are gathered here.
The highlight of the DVD for me was the "Silent Echoes" chapter, in which the author of the Buster book "Silent Echoes" takes us on a then/now trip through the old Hollywood of Buster's filmmaking days, mapping the film's locations to present day (or to historical photographs in the cases where the building had been demolished). I was glued to the screen for days watching this over and over.
Despite not containing Buster's more famous film clips, this is a very enjoyable collection. If nothing else, I believe it's the only place you can see the short "The High Sign" in its entirety, which, alone, is worth the price.
17 of 22 people found the following review helpful
mostly table scraps
7 Oct 2004
This collection is not, primarily, meant for those interested in Keaton's artistry. This is mostly meant for those interested in what Keaton did after his decline during the early sound era, and also to hear accolades from fellow film greats like Orson Wells and Lilian Gish. There are two rare Keaton sound shorts from the 1930s made for Educational Pictures. They are mere curiosities with only glimpses of the considerable talent Keaton possessed. There are also TV appearances, including TV commercials. There are also (beware: extremely short) excerpts from "lost" silent films.
There are only two things that make this collection worth examining. The first is an interactive exploration of Keaton's film locations in San Francisco and Los Angeles, based on the book "Silent Echoes". I live in San Francisco and it's fun to see images of Buster fleeing the cops through neighborhoods I drive or walk through often (San Fran, unlike LA, has not changed that much in appearance since the 1920s). I'm not sure how interesting this part of the collection is to folks not familiar with SF or LA, but I liked it.
The real gem in this collection, which seems as out of place as caviar with table scraps, is the early Keaton short "Hard Luck". Although not his best short, the star imbues the film with an energetic freshness, reflecting someone entirely confident in his creative ability, even at this early stage of his career. It aptly illustrates Keaton's remarkable ability to invent funny situations out of mundane activities like fishing or riding a horse. One feels in "Hard Luck" a link to modern masters of comic improvisation like Jonathan Winters and Robin Williams, except in Buster's case the invention is entirely visual. There is also the inherent darkness in the Keaton character, who is spending much of the film trying, unsuccessfully, to commit suicide. What's remarkable about the Keaton character in the early shorts is that he can pull off the allusion to despair and hopelessness while keeping the film light, fresh and energetic. Chaplin sometimes hits the audience over the head with pathos; never Keaton.
On the whole, however, I would not recommend this collection except for those who are seeking a complete Keaton library.
There are only two things that make this collection worth examining. The first is an interactive exploration of Keaton's film locations in San Francisco and Los Angeles, based on the book "Silent Echoes". I live in San Francisco and it's fun to see images of Buster fleeing the cops through neighborhoods I drive or walk through often (San Fran, unlike LA, has not changed that much in appearance since the 1920s). I'm not sure how interesting this part of the collection is to folks not familiar with SF or LA, but I liked it.
The real gem in this collection, which seems as out of place as caviar with table scraps, is the early Keaton short "Hard Luck". Although not his best short, the star imbues the film with an energetic freshness, reflecting someone entirely confident in his creative ability, even at this early stage of his career. It aptly illustrates Keaton's remarkable ability to invent funny situations out of mundane activities like fishing or riding a horse. One feels in "Hard Luck" a link to modern masters of comic improvisation like Jonathan Winters and Robin Williams, except in Buster's case the invention is entirely visual. There is also the inherent darkness in the Keaton character, who is spending much of the film trying, unsuccessfully, to commit suicide. What's remarkable about the Keaton character in the early shorts is that he can pull off the allusion to despair and hopelessness while keeping the film light, fresh and energetic. Chaplin sometimes hits the audience over the head with pathos; never Keaton.
On the whole, however, I would not recommend this collection except for those who are seeking a complete Keaton library.
4 of 4 people found the following review helpful
An interesting collection of oddities from the Art of Buster Keaton set
19 Dec 2010
This assortment of bits and bobs from Keaton's career in film and TV - no gems, more some interesting oddities - is in fact the extras disc from The Art of Buster Keaton collection, which means that completists who already have three versions of many of the films on different issues (guilty as charged) don't have to buy them all over again just to fill in the gaps.
It's certainly a very mixed bag: extracts from uncompleted film Ten Girls Ago and shorts Daydreams and The Love Nest, a completely remastered print of Hard Luck, two educational shorts, Allez-oop! and Jail Bait and a TV production of The Awakening. There are also extracts from four episodes of Life with Buster Keaton as well as commercials for Phillips 66, Shamrock Oil, Kodak and, ironically considering his alcoholism, Simon Pure Beer as well as home movie footage of Keaton in Paris, and briefly, filming The General. There's a Keaton interview, extract from This Is Your Life, introductions for TV screenings of his films by Orson Welles, Lillian Gish and Gloria Swanson as well as stills and photo galleries and then-and-now location comparisons. Nothing really essential and not much entertainment value for the casual viewer, but nice little bits for the Keaton fan even if they do leave you hungry for more.
It's certainly a very mixed bag: extracts from uncompleted film Ten Girls Ago and shorts Daydreams and The Love Nest, a completely remastered print of Hard Luck, two educational shorts, Allez-oop! and Jail Bait and a TV production of The Awakening. There are also extracts from four episodes of Life with Buster Keaton as well as commercials for Phillips 66, Shamrock Oil, Kodak and, ironically considering his alcoholism, Simon Pure Beer as well as home movie footage of Keaton in Paris, and briefly, filming The General. There's a Keaton interview, extract from This Is Your Life, introductions for TV screenings of his films by Orson Welles, Lillian Gish and Gloria Swanson as well as stills and photo galleries and then-and-now location comparisons. Nothing really essential and not much entertainment value for the casual viewer, but nice little bits for the Keaton fan even if they do leave you hungry for more.
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