What a treat this book is? What a treat for those of us who so admired Katharine Hepburn and expected to hear no more from her, to be handed this gift, this final last long visit with her through the eyes of A. Scott Berg who Hepburn befriended when he first interviewed her some 20 years ago.
Berg's presence in Hepburn's life and his relationship with her - as trusted friend, companion and future biographer - is at the heart of the book, is what holds it together. Through him, we discover her home life, meet her family, drink scotch with her at 6 and share home-cooked dinners at 7. We learn to swim each morning and play board games in the evening. We are there when Michael Jackson comes around, share many quiet late night conversations with her and as many quick rejoinders during a drive around Connecticut or at her firsplace in her longtime home in Manhattan. Berg's is a quiet and companionable presence that allows us into her private sanctum. He listens to her and in doing so, he allows us to listen.
Interspersed throughout this intimate portrait of Hepburn is the story of her life - from her unusual childhood to her days on the stage and screen, her relationship with Spencer Tracy and her life after his death. Berg tries not to repeat too much of what Hepburn herself has already written about so captivatingly in her two autobiographical books, Me: Stories of My Life and The Making of The African Queen, concentrating instead on her memories of the later years of her life. He does add some detail to what we already know of earlier years and Hepburn seems keen to have these gaps filled in for us. Indeed, whilst she seems to find it useful to talk about her past, what is reassuring whilst reading the book, is the shared understanding throughout their friendship that Berg is writing down their discussions for the rest of us to share one day.
There are one or two slightly uneven things about the book. Berg's friendship and meetings with Irene Mayer Selznick - a sometime friend of Hepburn's whom he meets in connection with his biography of Samuel Goldwyn - take on a disproportionate weight in the book, as does Warren Beatty's pursual of Hepburn to take on a cameo role in his film. Selznick is an interesting character and Beatty's behaviour noteworthy in but the importance that Berg bestows upon them seems out of place.
However, these are small points. Berg has written a charming and gentle book that allows the majesty and humanity of his heroine to shine through. And it is a rare and special treat for those of us who thought we would hear from her no more. As if.