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15 of 15 people found the following review helpful:
5.0 out of 5 stars
Revelatory Karajan in Vienna, 23 Mar 2008
Among the many re-editions that will mark Karajan's 100th anniversary year this 9-CD box assembling all his recordings with the Wiener Philharmoniker between 1959 and 1965 undoubtedly takes first place. Nothing of the 11 hours here is without interest, most of it is indispensable listening, even when seen in the light of forty or so following years of recording, including Karajan's own. There have been countless releases of Mozart's 40th, Beethoven's 7th symphony or Strauss's "Zarathustra" ever since, on traditional or period instruments, but very few can attain the continuous state of grace that Karajan demonstrates in these Vienna recordings.
Besides the admirable variety in repertory that Karajan took under his caring wings (from his personal favourites like Mozart, Beethoven, Tchaikovsky and Richard Strauss to the less obvious choices like Adolphe Adam, Gustav Holst), perhaps the most pleasant surprise when browsing through this box comes from the overall sound picture which is markedly different from what we would later (in the more numerous and prominent Deutsche Grammophon and EMI discs with the Berliner Philharmoniker) come to recognize, like it or not, as the typical "Karajan sound". Helped by a truly inspired Decca engineering team, these recordings not only amply stand the test of time in presence and dynamics, but more importantly the characteristic colour, refinement and transparency of the Wiener Philharmoniker are miraculously rendered. The silken sound of the strings, the individual colour of the woodwinds and the brass are a constant pleasure. It seems Karajan at this stage of his career and with this particular orchestra was still suggesting rather than dictating, but the result is by any means outstanding.
It's tough with such a box of goodies but if I had to point out a few favourites they would be Mozart's 40th symphony, unequalled by the orchestral balance, the phrasing and pulse (how this Mozart sings!), the quality of the strings; Tchaikovsky's ballet suites, a delight of colour, evocative power and atmosphere; Adam's "Giselle", by any means the most characterful stand-alone recording of this lovely ballet score which Karajan turns into a masterpiece; Richard Strauss's "Death and Transfiguration", a miracle of orchestral transparency, unravelling the multiple layers of sound to perfection and brought with un unfailing sense of drama.
This box of "Legendary recordings" is a superb gift. Even if one already possesses several other recordings of the works included here, it might still prove a revelation.
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