- Hardcover: 288 pages
- Publisher: OUP USA; illustrated edition edition (26 May 2005)
- Language English
- ISBN-10: 0195047672
- ISBN-13: 978-0195047677
- Product Dimensions: 23.6 x 16 x 3 cm
- Amazon Bestsellers Rank: 2,745,708 in Books (See Top 100 in Books)
Kansas City Jazz
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Review
"Driggs/Haddix's successful condensation of a huge volume of material into a readable narrative is a mirror image of Daniels's efforts to stretch limited amounts of information to book length. Kansas City Jazz is the publication we have been waiting for from Driggs, and Haddix's contribution has make it even more valuable than might have been expected."--Brian Priestly, Jazz Perspectives
"The strength of Kansas City Jazz lies in its exhaustive mapping of Kansas City culture and its musicians.... The authors' years of work as collectors and archivists have resulted in a book that is indispensable for Midwest jazz studies, telling this story vividly and with thorough documentation."--Marc Rice, Journal of the Society for American Music
"[A] successful condensation of a huge volume of material into a readable narrativeKansas City Jazz is the publication we have been waiting for from Driggs, and Haddix's contribution has made it even more valuable than might have been expec
--This text refers to the
Paperback
edition.
Product Description
There were but four major galaxies in the early jazz universe, and three of them--New Orleans, Chicago, and New York--have been well documented in print. But there has never been a serious history of the fourth, Kansas City, until now. In this colorful history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz. Readers will find a colorful portrait of old Kaycee itself, back then a neon riot of bars, gambling dens and taxi dance halls, all ruled over by Boss Tom Pendergast, who had transformed a dusty cowtown into the Paris of the Plains. We see how this wide-open, gin-soaked town gave birth to a music that was more basic and more viscerally exciting than other styles of jazz, its singers belting out a rough-and-tumble urban style of blues, its piano players pounding out a style later known as "boogie-woogie." We visit the great landmarks, like the Reno Club, the "Biggest Little Club in the World," where Lester Young and Count Basie made jazz history, and Charlie Parker began his musical education in the alley out back. And of course the authors illuminate the lives of the great musicians who made Kansas City swing, with colorful profiles of jazz figures such as Mary Lou Williams, Big Joe Turner, Jimmy Rushing, and Andy Kirk and his "Clouds of Joy." Here is the definitive account of the raw, hard-driving style that put Kansas City on the musical map. It is a must read for everyone who loves jazz or American music history.
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6 reviews
13 of 13 people found the following review helpful
Exciting ballyhoo in Kansas City
26 July 2005
Format:Hardcover
With vivid descriptions of the "wide-open" town of Jazz era Kansas City and its dramatic denizens, you can envision the scenes of Basie's coming of age, Charlie Parker's KC childhood and musical evolution, big bands dueling each other, glamorous theaters and giant dance halls, bars open 24 hours, remarkable women, "sporting men," police looking the other way, and so much more. The extensive research really pays off with quotations from reviews and ads from "back in the day," interviews with legends, a generous array of photographs, and a cohesive and accessible presentation of information from many sources. The sights, sounds, scents, and sentiments conveyed by Chuck Haddix and Frank Driggs in Kansas City Jazz: From Ragtime to Bebop are the next best thing to a time-machine. Next, Oxford needs to put out a companion CD (or DVD with photos and copies of the original media) with the recordings of the music and performers to help us fully appreciate the musical innovations from the Paris of the Plains.
9 of 10 people found the following review helpful
very much enjoyed
31 Oct 2005
Format:Hardcover
Great book, both of the other reviews so far are quite good. It's good to see a city with such a great history finally getting a thorough treatment.
As a Kansas City native, I would like to point out that co-author Chuck Haddix is quite possibly the best DJ in town, as well as a fine author. His Friday and Saturday night show The Fish Fry plays some of the best jazz and blues anywhere. You can learn more as well as listen to past shows at http://www.kcur.org/fishfry.html, there's a link to the archives on the righthand side.
As a Kansas City native, I would like to point out that co-author Chuck Haddix is quite possibly the best DJ in town, as well as a fine author. His Friday and Saturday night show The Fish Fry plays some of the best jazz and blues anywhere. You can learn more as well as listen to past shows at http://www.kcur.org/fishfry.html, there's a link to the archives on the righthand side.
6 of 7 people found the following review helpful
A Semi-Forgotten Treasure
6 Nov 2006
Format:Hardcover|Amazon Verified Purchase
Any serious student of Jazz needs to know about the Kansas City sound. The book reiterated what I already knew which is that KC was a major contribitor to bebop and to r&b due to the styles that came togteher from that part of the country. Generations of musicians were influenced by the Basie Band and Charlie Parker. You will also get an education of what life was like in the black community of a midwestern city. Kansas City, which happens to be one of my favorites among cities, had a parallel identity with the world of Negro Leagues baseball and both jazz and baseball are remembered through a museum which I plan to visit soon. I recommend the book to anyone unfamiliar with the subject and interested in jazz.
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