Kama Sutra [VHS] [1997]

Indira Varma is captivating as the servant girl Maya, portraying her as young, flirtatious and resilient, while at the same time, regal and vulnerable. Her lovely eyes speak volumes, and there are entire scenes that are conveyed without the need for dialogue.

Sarita Choudhury plays a major supporting role as Tara, the intended bride of Raj Singh (Naveen Andrews). Although a lifelong friend of Maya, she turns on her in a fit of jealousy when the Raj lets his gaze wander to Maya on their very first meeting, and her reaction causes Maya to flee the room in shame.

Seeking revenge, Maya makes a pre-marital visit to the Raj, and gives herself to him in a performance that he never forgets.

She however forgets that people who live in transparent tents shouldn't fool around, and when the night's events are disclosed by Tara's humpbacked peeping tom of a brother, whom Maya has rejected outright as a husband, she has no choice but to leave her home as a fallen woman.

Unlike the popular advertisement however, she is able to get up, and thanks to the artistic skill of a stone carver Jai Kumar (Ramon Tikaram) and the friendship and teaching of Rasa Devi, (Screen legend Rehka) teacher of the Kama Sutra, she finds new confidence and a whole new attitude. She falls for Jai big time, but unfortunately for him, he doesn't react well to unconditional love and chases her straight into the open arms of Raj Singh as his #1 favorite courtesan.

Tara is now living the life of the neglected wife of a debauched husband, and has a disastrous wedding night when he calls her another woman's name. Her unhappiness is aggravated when she discovers Maya lolling off in a hot tub at the palace, and unable to cope with her situation decides on a drastic course of action.

Raj is by now totally obsessed with Maya, and when he discovers that his stone carver friend and his number one girl have not only rekindled the flames, but are busy fanning them when he's not around, he goes berserk, and orders the appropriate punishment for Jai.

To close things off, while Raj has been partying, his kingdom has been falling, and you don't need a fat lady singing to tell you that it's over for him.

Excellent performances by Indira Varma, Sarita Choudhury and Rekha make this movie worthwhile, and the attention to detail by Mira Nair makes for beautiful watching.

Amanda Richards

Set in sixteenth century India, this is the story of Maya (Indira Varma), a servant girl and companion to Tara (Sarita Choudry), a Maharani destined to be Queen to a Raj. Childhood friends, they are to become palace rivals as the fates pit them one against the other, only to have them both become casualties of love. Maya, tired of being treated as a second class citizen and of receiving Tara's castoff clothing, makes a life defining decision on the eve of Tara's marriage to Raj Singh (Naveen Andrews). Sensing that the Raj desires her, Maya gives herself to him, later telling Tara that it is she who now has a cast off from Maya.

After Tara departs with her husband, Maya's perfidy is revealed to the household by Tara's huntchbacked brother, who, coveting Maya for himself, had spied upon her and saw her in flagrante delicto with the Raj. Ousted by Tara's outraged family, Maya leaves to make her way in the world. She comes across a sculptor, Jai Kumar (Ramon Tikarum), of Raj Singh's royal household and falls in love with him. Unfortunately, timing is everything. By the time Jai realizes that he, too, is in love with her, it is too late, as Maya is now the favorite courtesan of the by now debauched Raj, who is obsessed with her and cannot seem to get her out of his system, much to the dimay of Tara, as well as Jai.

Trained in the arts of love by the graceful and beautiful Rasa Devi (Rekha), Maya, as a royal courtesan, is a sensuous, beautiful sylph. Tara, now the Queen, is insanely jealous of her husband's desire for Maya, but must tolerate it, as must Jai, as it is a culturally accepted way of life. Unfortunately, when the Raj discovers that Maya and Jai are still in love, all hell breaks loose, and the piper must be paid.

This is a wonderful film of a woman's journey to find herself within culturally imposed constraints. It is a tale of the vicissitudes of life that leave imprints on one's journey. Told in the context of carnal love and desire, it also tells of a love sublime. This is essentially a woman's film, sensuous and erotic in its imagery, a veritable sumptuous feast for the senses. While there is some nudity in the film, it is tastefully and beautifully filmed, as well as highly erotic.

Indira Varma, in what is her screen debut, is sensational as the entrancing Maya, imbuing her with an impishness, as well as with a sinuous and provocative sensuality. Sarita Choudry, of "Mississippi Masala" fame, is excellent as the beautiful and exotic Tara, who appears to be relegated to a life of frigidity and jealousy. Rekha, the well known and exquisitely beautiful Indian actress, is hypnotic as Rasa Devi, teacher of the Kama Sutra. Naveen Andrews gives a good performance as the debauched Raj, and Ramon Tikarum is compelling as the conflicted artist. They both, however, take a backseat to the women in the film.

Filmed on location in India, this is a film that should be watched for its sheer beauty. Bravo!