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There are tracks with no guitar, tracks with Siouxsie or Steve Severin playing guitar, tracks with sessions guitarists - it was an album borne of confusion, improvisation and perseverance. It spawned their most commercial material to date (Happy House, Christine), but probably some of the most subtly dark material that they have ever produced. An album of hidden menace rather than the overtly dark songs of the earlier albums, it both showcased the drumming talents of new drummer Budgie and let the world see the growing musical abilities of Siouxsie and Steve Severin.
Never have synthesizers been so dark; never has understated guitar been so in your face; and never has a vocal been so midway between whispered and sung as on this album. Like dark albums? Like eclectic new wave? Like good music? Buy it!
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