If you're ready for something strange and wonderful you may well
find it here. Danish ensemble When Saints Go Machine have created
something quite extraordinary with their album 'Konkylie' (nothing
near the Minogue variety!) This has everything and more to do with
singer Nikolaj Manuel Vonsild's otherworldly voice, a true falsetto
(not unlike the redoubtable Mr Somerville's) which possesses the power
to communicate a wide variety of tonal shades and genuine emotion.
Beyond this the music is both complex and beautifully constructed.
The melodies and electronic arrangements have soul and intelligence.
Seductive rhythms; lush harmonies and a wealth of arresting detail.
Mr Vonsild's haunting voice would sound perfectly at home beneath
the high stone arches of a candlelit Gothic cathedral. There are
ancient forces at work in his wonderfully controlled vibrato; it
is a primal instrument carved from blocks of stone and ice. A marvel.
The opening and title track is a captivating invention; a strangely
moving hymn for godless times which brought some of Gentle Giant's
best seventies' work to mind. The simple tune circles round and round
in a cloud of warm synth and tinkling percussive accents. Stunning!
No-less-so the old-as-Methuselah introduction to 'Church and The Law'
which gives way to a gentle eighties-tinged lilting rhythm and is one of
Mr Vonsild's finest vocal performances. He soars like a bird in the clouds.
The mellow, shifting cadences of 'Chesnut' deliver another highlight. The
Sade-like groove bobs along happily in its own company with a chorus from heaven.
'Jets' dance-friendly, quasi-tribal percussion gets the toes tapping ten-
to-the dozen and 'Kelly' is nothing less than a sparkling pure pop gem!
Final track 'Add Ends' is the icing on the cake. Rising and falling,
twisting and turning, this ecstatic glorious pizzicato confection convinces
me that When Saints Go Machine are mining a highly original musical seam
and fully live up to their well-chosen name. 'Konkylie' touches the sublime!
Essential.