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Juxtapose [VINYL]
 
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Juxtapose [VINYL]

Tricky Vinyl
4.3 out of 5 stars  See all reviews (3 customer reviews)

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Product details

  • Vinyl (16 Aug 1999)
  • Number of Discs: 1
  • Label: Island
  • ASIN: B00004WQ9B
  • Other Editions: Audio CD  |  Audio Cassette  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 702,072 in Music (See Top 100 in Music)

Product Description

Amazon.co.uk Review

Bristol shaman Tricky (Adrian Thawes) is one of today's odder and more inspired artists. His 1995 debut, Maxinquaye, revealed an eccentric sensibility at play, creating nightmarishly gorgeous tracks such as "Overcome", contrasted by a raucous Smashing Pumpkins sample on the chorus to the brooding "Pumpkin". A little guy with a wicked grin, Tricky is the trip-hop equivalent of Stanley Kubrick, at once original and clever, yet as dark and gloomy as his spliff-produced smoke rings. With DJ Muggs (from Cypress Hill) and rapper Grease, Juxtapose is streetwise, yet largely missing Tricky's hallucinogenic imagery. On "For Real" Tricky mutters "Some families have to live for real / I don't have to, I've got my record deal" over an itchy blues thump. A classical guitar melody begins "Contradictive", as Tricky grouses about "Mickey Mouse" and spouts "You a hardcore loving machine." "She Said" sounds conspicuously like an Underworld track, especially its lyrics. "I Like the Girls" features Muggs in a hilarious rap about lesbians, whip cream, and group sex. The raps grow more wicked on "Hot Like a Sauna" with the mumbled lines "Wanna be like Jeffrey Dahmer" and "Every day like Hanukkah". "Call Me" and "Wash Away" recall Tricky of old, with groggy vocals and Caribbean-tinged grooves creating wonderfully queasy tableaux. Tricky continues to evolve at his own irascible pace, a riddle always about to reveal itself. His journey remains equally fascinating and frustrating. --Ken Micallef

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Customer Reviews

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Most Helpful Customer Reviews
4 of 6 people found the following review helpful
Back on Track 24 Jan 2000
By A Customer
Format:Audio CD
I loved Tricky's post-Massive Attack debut, "Maxinquaye", but found that his next couple of albums (Nearly God, Pre-Millennium Tension and Angels With Dirty Faces) not nearly as good. Each one had the odd good track, but was mostly average, retreading the same ground but less effectively. However, Juxtapose finds Tricky in a slightly more melodic (cheerful?) and interesting mood, and it's as close to mainstream as he's likely to get. It's a refreshing breath after the claustrophobic raving of PMT and AWDF, and certain tracks, particularly "For Real", "Scrappy Love" and "Bom Bom Diggy" are among his best. His collaborations with Mad Dog and others fill out the sound better than the "Nearly God" experiment, although the highly pornographic "I Like the Girls" is perhaps too shocking for even the most broad-minded listener. If you've never heard Tricky before, then Maxinquaye is still unmissable, but Juxtapose rolls in a comfortable second best.
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1 of 2 people found the following review helpful
Format:Audio CD
As usual a mixed up bag of tracks which is still experimental yet easier going and more accessable than recent offerings. If this is what Angels with Dirty Faces and Pre-Millenium Tension were building up to, long may it continue. Whilst all the tracks on Juxtapose are not classics (in the sense of Black Steel or Hell Is Round The Corner) they are all well crafted with a variety of styles being explored yet all within the confines of Tricky's form of expression. Juxtapose is well worth checking out the only real downside being the shortness of the album.
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0 of 2 people found the following review helpful
Format:Audio CD
The prospect of DJ Muggs and Tricky on the same record is mouth-watering. For Real, Contradictive and Hot Like A Sauna really deliver, they are fantastic, spooky songs for different reasons. Bom Bom Diggy and the hilarious I Like The Girls are also good. But the promise behind tracks like Call me, Wash My Soul are never delivered, and they are just by-numbers. The metal re-mix of Hot Like A Sauna is a case in point - it could've been a Prodigy-style classic, instead it's just the same song with a weak metallic riff over the opening bars.

Tricky, why do you tease us so?

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