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'It was the summer that Coltrane died. The summer Jimi Hendrix set his guitar in flames and China exploded the H-bomb. There were riots in Newark and marches against the war in Vietnam. The world was on the brink of change. It was the summer of love. And the summer of a chance encounter that would change the course of my life. It was the summer I met Robert.' Just Kids is the story of two innocents who shed sheltered lives and braved the city in search of art and freedom. In each other Robert Mapplethorpe and Patti Smith found kindred spirits and pursued their mutual dreams, from Brooklyn to the Chelsea Hotel into the world. Each would eventually reach the pinnacle of artistic achievement and their vow to always care for one another survived painful trials and separations. Mapplethorpe's unforgettable portrait of Smith for the cover of Horses forever fuses their indelible mark on our culture. Intimate and broadly evocative of New York in the early 70s, Just Kids - part romance, part elegy - is finally about friendship in the truest sense, and the artist's calling.
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'With a memoirist's sleight of hand, Patti Smith recaptures two wondrously malleable young spirits...' -- Scotland on Sunday, January 2010
'Before Maplethorpe died ... Smith promised him that she would write their story. Just Kids is the fulfilment of that promise: a touching tribute to their love as well as an incisive account of being young, ambitious and artistic in Seventies New York ... She pours that sorrow and that maturity into this heartfelt, illuminating book.' -- Telegraph, February 2010
`The most beautiful, incredible autobiography - it will make you ache for a time and a place that you probably never knew, New York in the 1970s' --Nick Hornby
Book Description
Winner of the 2010 Non-Fiction National Book AwardPatti Smith's evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe --This text refers to the
Paperback
edition.
Anyone familiar with the lives and works of Patti Smith and Robert Mapplethorpe will know that this story cannot have a happy ending. Mr Mapplethorpe's death from AIDS-related illness in 1989 drew a sad line underneath a unique friendship. 'Just Kids' is Mme Smith's memoir of that extraordinary relationship.
That they were kindred spirits from the start is evident in Smith's affectionate prose. The energy that held them together, in love and in adversity, contributed immeasurably to their respective artistic achievements. I had not realised how intertwined their creative paths had been until reading this beautifully written book.
The 'High Priestess Of Punk' is a surprisingly gentle and sensitive narrator. Starting with tender and vivid reflections of her childhood in Pennsylvania and New Jersey we quickly see that she will not linger there for long. That she was an outsider (albeit a somewhat timid one) from the start made her eventual pilgrimage to the dark beating heart of culture in New York City inevitable.
She and Mapplethorpe fell into each others lives as much by chance as by design. The descriptions of their early struggles to establish a place for their art are unsentimentally drawn. Her tales from the bowels of the Hotel Chelsea and accounts of the brutal pecking order of bohemian wannabes at clubs like Max's Kansas City are littered with the names of iconic characters from this colourful period of the city's history. It is as much a story of a time and place as it is an excavation of her own emotional and creative trajectory.
That each of them eventually found their place (she in the world of rock and roll and he in the photographer's studio) would perhaps not have happened in quite the same way had their mutual dependency, support, encouragement and love not had the chance to flourish in those heady early years.
That their lives eventually moved in different directions did not diminish the intensity and importance of their primary and enduring attachment to one another.
'Just Kids' is a grown-up tale of two souls in search of meaning.
This book arrived swiftly and safely. It is a wonderful autobiography, the best I have read in years. Sensitively and honestly written, it is obvious that Patti Smith is a world away from celebrity culture. She is not influenced by money, status or fame..how bloody refreshing. She gives perceptive insights into many of the fast movers in the late 60s and early 70s American pop and art culture. I only wish I had no short term memory so I could read it again afresh....BRILLIANT
This is an interesting memoir, especially for fans of Mapelthrope or Patti Smith. For the younger generation who may not be familiar with these two names. Maplethorpe was a photographer with a style that was recognizable no matter his subject (he died of AIDs in his early 40s in 1989) and lets just say he wore his homosexuality proudly (for more on mapelthorpe I recommend Mapplethorpe: A Biography). Smith is the poet singer song writer often referred to as the grandma of punk rock and an activist for many causes to this very day. In this Memoir Smith writes about her relationship with Maplethorpe in the late and early 1970s before they became famous. I thought it was fascinating to read about these two icons before they realized who the were or wanted to be. Its hard not to think of Smith as a poet rebel, guitar in hand or Mapelthorpe as the in your face artist, but Smith's book takes the reader back to when both were "Just Kids." You see Smith and Maplethorpe as young people, not always secure in who they are, groping to find their passions that were burning inside but not fully understood. In this memoir Smith also presents a picture of a New York that no longer exists, and that alone makes this wonderful reading. Not all song writers can successfully write lyrics as well as prose, Smith though has a gift with the written word that is transcendent. Heart felt and honest, like her music, I highly recommend this book. For more honest reading concerning Hollywood Icons in the 1960s I have to recommend "Misfits Country."