After the Grant morrison-penned 'Inferno', Judgement Day was only the second large-scale storyline in Judge Dredd's run from British sci-fi anthology 2000ad that was written by a writer other than dredd creator John Wagner, as a consequence, it often misses the subtleties and ironic black humour that typifies the character. Written by Garth Ennis, judgement Day tells the story of Time-travelling sorcerer Sabbat's attempts to take control of the Earth by reanimating the dead, and all that stands in his way is Mega-city One's finest lawman.
The plot is genuinely terrible, and anyone who has read other work by Ennis might wonder what drove him to write such a lazy, derivative work while in charge of a British institution like Dredd - though, in his defence, he's since disowned the story as being boring and uninteresting, and was working on writing other stories for the more lucrative American comics market at the time. The story was obviously low on his list of priorities, and it shows.
The pacing is good, however, as is the art, featuring some of Ezquerra's last (non-digital) colour work on the character, as well as early work from Dean Ormston, Peter Doherty and music video director Chris Halls.
Make no mistake, this is one of the worst Dredd epics, but that's purely because of the high quality of the others, such as the seemingly untouchable Apocalypse War or Necropolis, but it's certainly eventful, has good visuals, and a good pay-off that Ennis has yet to better in other works of equal length or tone.