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Track Listings
| 1. La Vuelta De Pedro Orillas |
| 2. Milonga De Mis Amores |
| 3. Juan Condori |
| 4. Memoria |
| 5. La Parecida |
| 6. Inside |
| 7. Soles/La Camposanteña |
| 8. Las Cosas Amadas |
| 9. A Juana, Mi Madre |
| 10. Los Sauces |
| 11. Improvisacion |
| 12. Chiriguano |
Product Description
Product Description
Music/artist background: There is really no other artist in South American music like Dino Saluzzi. He's often credited, alongside Astor Piazzolla, with setting directions in the Tango Nuevo movement, although he's played jazz and written pieces for chamber ensembles, Saluzzi is a musician outside the conventions, as his recordings for ECM show. He's been with the label since 1982 and there have been many highlights.
For all the sophistication of his music, the great bandoneon master has never lost sight of his roots and his beginnings in the little village of Campo Santo in Northern Argentina (the title track of Juan Condori salutes a childhood friend). He is a story teller. He comes from the oral music tradition, not the academy. These are the roots he celebrates in his work with the Dino Saluzzi Group (aka the Saluzzi Family Project). The last album to explore this aspect of his work was 'Mojotoro' 15 years ago.
The Saluzzi clan are: Dino Saluzzi, bandleader, composer and endlessly inventive bandoneonist; Felix `Cuchara' Saluzzi, Dino's brother who's found a role for the saxophone, uniquely his own, inside the `post-tango' tradition and also plays splendid clarinet; José Maria Saluzzi, Dino's son, who started out playing drums on Mojotoro but is now a highly accomplished guitarist, already heard on ECM, playing acoustic guitar on Cité de la Musique and Responsorium (this time he adds his electric instrument to the blend, providing surprisingly Metheny-esque shadings and floating suspended chords); and Matias Saluzzi, Felix's son, a bass player providing the music's throbbing undertow. Juan Condori is Matias's ECM debut, as it is for Italian jazz drummer U T Gandhi (real name Umberto Trombetta), a sensitive player already well known in Europe for his work with Enrico Rava's Electric Five group.
Recorded 2005.
Personnel: Dino Saluzzi - bandoneon, Felix `Cuchara' Saluzzi - tenor and soprano saxophones, clarinet, José Maria Saluzzi - acoustic and electric guitars, Matias Saluzzi - double-bass, bass guitar, U.T. Gandhi - drums, percussion.
Product Description
CD
Customer Reviews
Most Helpful Customer Reviews
13 of 14 people found the following review helpful
Format:Audio CD
Most listeners probably associate the bandoneón with the tango, thanks to the genius and legacy of Astor Piazzolla. Piazzolla's work brought life back to the genre - including the `darkness' of mood, the pain and sometimes the violence that accompanied life among the working classes, playing out in the bars and streets of Buenos Aires and other urban areas. While Dino Saluzzi's work has the spirit of the tango in its soul, in no way should his work be considered to be `in the shadow' of Piazzolla. He has taken his composition and playing many paces beyond the tango - he has fearlessly crossed those invisible boundaries by which too many musicians feel themselves constrained and imprisoned, naturally embracing jazz, classical and folk motifs, combining them with the tango and other influences into a music that is his own, a vehicle with which to express the song he hears in his spirit. He has always eschewed labels for his work - he calls it `a music of the emotions', intended to express the widest possible range of feelings. Anyone who has been fortunate enough to hear his playing would surely agree that he has been successful in that goal.
On JUAN CONDORI (named for a childhood friend), Dino gathers his family about him: Dino's son José Maria Saluzzi (guitars), brother Felix `Cuchara' Saluzzi (saxophones, clarinet), Felix's son Matias Saluzzi (double-bass, bass guitar) and a family friend (`honorary family member) from Italy, U. T. Gandhi (drums, percussion). The sense of comfort that pervades this recording is palpable - the musicians are at ease with themselves and each other, and the result is (in my opinion) one of Saluzzi's most satisfying sessions in years (and this is certainly not to deride anything he's ever done - it's all wonderful).
All of the compositions on this CD are by Dino, with the exception of `Milonga de mi amores (by Pedro Laurenz), `Soles' (by José Maria Saluzzi) and `Improvisation', a group creation. The sensitivity of these players allows them to blend their instruments' voices effortlessly and gracefully, highlighting and complementing each other's work without ever over-stepping or showing off. The feeling of `family' - in the truest sense of the word - permeates every bar of every track...they're here to join together and support, and they do so marvelously.
Dino Saluzzi is without a doubt the premiere bandoneón player of our time - he has made dozens of recordings (for ECM as well as other labels), as a leader and as a participant. In his hands, this difficult instrument is made - perhaps, more aptly, `allowed' - to sing. His melodies can be as delicate as the wings of a butterfly or as powerful as the muscles of a horse in full gallop - and every level in between, as the spirit of his music requires. He touches the soul of the listener with his own, through his music. Saying that the bandoneón `breathes' in his hands is not an overstatement - it becomes a living thing, united with the performer.
Dino's brother Felix has played with him on and off since childhood - and the empathy that such a long-term musical (and familial) relationship encourages shines here. Felix's reeds wind their way through the arrangements, lending accents and finding contrapuntal paths that are amazingly dexterous. Felix's son Matias' bass work is just right, not merely adding `bottom' to the mix, but accenting melody deftly. The work of U. T. Gandhi on drums and percussion is never heavy-handed or inappropriate - he lays down a rhythmic foundation that supports and accents with perfection.
One of the delights, for me, in hearing this recording, is the ongoing growth and maturity evident in the playing - and composition, evinced by `Soles' here - of Dino's son José Maria Saluzzi. José Maria played drums on MOJOTORO (at 16), Dino's 1991 recording for ECM. He later turned his attention to the guitar, and contributed to CITÉ DE LA MUSIQUE (ECM, 1997) and RESPONSORIUM (ECM, 2002). On JUAN CONDORI, José Maria plays beautifully on both acoustic and electric guitars - his lines are flowing, melodic and inventive, and his work is an essential element of the `feel' of this session.
As I write this, I've had this CD for less than five days - but I've listened to it probably a dozen times. There is life here - there is the air of the mountains, the scent of the pampas, the longing of the soul for a lost friend or lover, the ache in the heart to see home again, the love of family, the pain of loss, the joy of companionship, the echo of memory - and more. When music can contain so much, and mean so many things to both the composer/performer and the listener, it's a treasure to be savored.
On JUAN CONDORI (named for a childhood friend), Dino gathers his family about him: Dino's son José Maria Saluzzi (guitars), brother Felix `Cuchara' Saluzzi (saxophones, clarinet), Felix's son Matias Saluzzi (double-bass, bass guitar) and a family friend (`honorary family member) from Italy, U. T. Gandhi (drums, percussion). The sense of comfort that pervades this recording is palpable - the musicians are at ease with themselves and each other, and the result is (in my opinion) one of Saluzzi's most satisfying sessions in years (and this is certainly not to deride anything he's ever done - it's all wonderful).
All of the compositions on this CD are by Dino, with the exception of `Milonga de mi amores (by Pedro Laurenz), `Soles' (by José Maria Saluzzi) and `Improvisation', a group creation. The sensitivity of these players allows them to blend their instruments' voices effortlessly and gracefully, highlighting and complementing each other's work without ever over-stepping or showing off. The feeling of `family' - in the truest sense of the word - permeates every bar of every track...they're here to join together and support, and they do so marvelously.
Dino Saluzzi is without a doubt the premiere bandoneón player of our time - he has made dozens of recordings (for ECM as well as other labels), as a leader and as a participant. In his hands, this difficult instrument is made - perhaps, more aptly, `allowed' - to sing. His melodies can be as delicate as the wings of a butterfly or as powerful as the muscles of a horse in full gallop - and every level in between, as the spirit of his music requires. He touches the soul of the listener with his own, through his music. Saying that the bandoneón `breathes' in his hands is not an overstatement - it becomes a living thing, united with the performer.
Dino's brother Felix has played with him on and off since childhood - and the empathy that such a long-term musical (and familial) relationship encourages shines here. Felix's reeds wind their way through the arrangements, lending accents and finding contrapuntal paths that are amazingly dexterous. Felix's son Matias' bass work is just right, not merely adding `bottom' to the mix, but accenting melody deftly. The work of U. T. Gandhi on drums and percussion is never heavy-handed or inappropriate - he lays down a rhythmic foundation that supports and accents with perfection.
One of the delights, for me, in hearing this recording, is the ongoing growth and maturity evident in the playing - and composition, evinced by `Soles' here - of Dino's son José Maria Saluzzi. José Maria played drums on MOJOTORO (at 16), Dino's 1991 recording for ECM. He later turned his attention to the guitar, and contributed to CITÉ DE LA MUSIQUE (ECM, 1997) and RESPONSORIUM (ECM, 2002). On JUAN CONDORI, José Maria plays beautifully on both acoustic and electric guitars - his lines are flowing, melodic and inventive, and his work is an essential element of the `feel' of this session.
As I write this, I've had this CD for less than five days - but I've listened to it probably a dozen times. There is life here - there is the air of the mountains, the scent of the pampas, the longing of the soul for a lost friend or lover, the ache in the heart to see home again, the love of family, the pain of loss, the joy of companionship, the echo of memory - and more. When music can contain so much, and mean so many things to both the composer/performer and the listener, it's a treasure to be savored.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
4.0 out of 5 stars
4 reviews
13 of 13 people found the following review helpful
5.0 out of 5 stars
music as deep as life
11 Oct 2006
By Larry L. Looney
- Published on Amazon.com
Format:Audio CD
Most listeners probably associate the bandoneón with the tango, thanks to the genius and legacy of Astor Piazzolla. Piazzolla's work brought life back to the genre - including the `darkness' of mood, the pain and sometimes the violence that accompanied life among the working classes, playing out in the bars and streets of Buenos Aires and other urban areas. While Dino Saluzzi's work has the spirit of the tango in its soul, in no way should his work be considered to be `in the shadow' of Piazzolla. He has taken his composition and playing many paces beyond the tango - he has fearlessly crossed those invisible boundaries by which too many musicians feel themselves constrained and imprisoned, naturally embracing jazz, classical and folk motifs, combining them with the tango and other influences into a music that is his own, a vehicle with which to express the song he hears in his spirit. He has always eschewed labels for his work - he calls it `a music of the emotions', intended to express the widest possible range of feelings. Anyone who has been fortunate enough to hear his playing would surely agree that he has been successful in that goal.
On JUAN CONDORI (named for a childhood friend), Dino gathers his family about him: Dino's son José Maria Saluzzi (guitars), brother Felix `Cuchara' Saluzzi (saxophones, clarinet), Felix's son Matias Saluzzi (double-bass, bass guitar) and a family friend (`honorary family member') from Italy, U. T. Gandhi (drums, percussion). The sense of comfort that pervades this recording is palpable - the musicians are at ease with themselves and each other, and the result is (in my opinion) one of Saluzzi's most satisfying sessions in years (and this is certainly not to deride anything he's ever done - it's all wonderful).
All of the compositions on this CD are by Dino, with the exception of `Milonga de mi amores (by Pedro Laurenz), `Soles' (by José Maria Saluzzi) and `Improvisation', a group creation. The sensitivity of these players allows them to blend their instruments' voices effortlessly and gracefully, highlighting and complementing each other's work without ever over-stepping or showing off. The feeling of `family' - in the truest sense of the word - permeates every bar of every track...they're here to join together and support, and they do so marvelously.
Dino Saluzzi is without a doubt the premiere bandoneón player of our time - he has made dozens of recordings (for ECM as well as other labels), as a leader and as a participant. In his hands, this difficult instrument is made - perhaps, more aptly, `allowed' - to sing. His melodies can be as delicate as the wings of a butterfly or as powerful as the muscles of a horse in full gallop - and every level in between, as the spirit of his music requires. He touches the soul of the listener with his own, through his music. Saying that the bandoneón `breathes' in his hands is not an overstatement - it becomes a living thing, united with the performer.
Dino's brother Felix has played with him on and off since childhood - and the empathy that such a long-term musical (and familial) relationship encourages shines here. Felix's reeds wind their way through the arrangements, lending accents and finding contrapuntal paths that are amazingly dexterous. Felix's son Matias' bass work is just right, not merely adding `bottom' to the mix, but accenting melody deftly. The work of U. T. Gandhi on drums and percussion is never heavy-handed or inappropriate - he lays down a rhythmic foundation that supports and accents with perfection.
One of the delights, for me, in hearing this recording, is the ongoing growth and maturity evident in the playing - and composition, evinced by `Soles' here - of Dino's son José Maria Saluzzi. José Maria played drums on MOJOTORO (at 16), Dino's 1991 recording for ECM. He later turned his attention to the guitar, and contributed to CITÉ DE LA MUSIQUE ECM, 1997) and RESPONSORIUM (ECM, 2002). On JUAN CONDORI, José Maria plays beautifully on both acoustic and electric guitars - his lines are flowing, melodic and inventive, and his work is an essential element of the `feel' of this session.
I've had this CD for less than five days - but I've listened to it probably a dozen times. There is life here - there is the air of the mountains, the scent of the pampas, the longing of the soul for a lost friend or lover, the ache in the heart to see home again, the love of family, the pain of loss, the joy of companionship, the echo of memory - and more. When music can contain so much, and mean so many things to both the composer/performer and the listener, it's a treasure to be savored.
On JUAN CONDORI (named for a childhood friend), Dino gathers his family about him: Dino's son José Maria Saluzzi (guitars), brother Felix `Cuchara' Saluzzi (saxophones, clarinet), Felix's son Matias Saluzzi (double-bass, bass guitar) and a family friend (`honorary family member') from Italy, U. T. Gandhi (drums, percussion). The sense of comfort that pervades this recording is palpable - the musicians are at ease with themselves and each other, and the result is (in my opinion) one of Saluzzi's most satisfying sessions in years (and this is certainly not to deride anything he's ever done - it's all wonderful).
All of the compositions on this CD are by Dino, with the exception of `Milonga de mi amores (by Pedro Laurenz), `Soles' (by José Maria Saluzzi) and `Improvisation', a group creation. The sensitivity of these players allows them to blend their instruments' voices effortlessly and gracefully, highlighting and complementing each other's work without ever over-stepping or showing off. The feeling of `family' - in the truest sense of the word - permeates every bar of every track...they're here to join together and support, and they do so marvelously.
Dino Saluzzi is without a doubt the premiere bandoneón player of our time - he has made dozens of recordings (for ECM as well as other labels), as a leader and as a participant. In his hands, this difficult instrument is made - perhaps, more aptly, `allowed' - to sing. His melodies can be as delicate as the wings of a butterfly or as powerful as the muscles of a horse in full gallop - and every level in between, as the spirit of his music requires. He touches the soul of the listener with his own, through his music. Saying that the bandoneón `breathes' in his hands is not an overstatement - it becomes a living thing, united with the performer.
Dino's brother Felix has played with him on and off since childhood - and the empathy that such a long-term musical (and familial) relationship encourages shines here. Felix's reeds wind their way through the arrangements, lending accents and finding contrapuntal paths that are amazingly dexterous. Felix's son Matias' bass work is just right, not merely adding `bottom' to the mix, but accenting melody deftly. The work of U. T. Gandhi on drums and percussion is never heavy-handed or inappropriate - he lays down a rhythmic foundation that supports and accents with perfection.
One of the delights, for me, in hearing this recording, is the ongoing growth and maturity evident in the playing - and composition, evinced by `Soles' here - of Dino's son José Maria Saluzzi. José Maria played drums on MOJOTORO (at 16), Dino's 1991 recording for ECM. He later turned his attention to the guitar, and contributed to CITÉ DE LA MUSIQUE ECM, 1997) and RESPONSORIUM (ECM, 2002). On JUAN CONDORI, José Maria plays beautifully on both acoustic and electric guitars - his lines are flowing, melodic and inventive, and his work is an essential element of the `feel' of this session.
I've had this CD for less than five days - but I've listened to it probably a dozen times. There is life here - there is the air of the mountains, the scent of the pampas, the longing of the soul for a lost friend or lover, the ache in the heart to see home again, the love of family, the pain of loss, the joy of companionship, the echo of memory - and more. When music can contain so much, and mean so many things to both the composer/performer and the listener, it's a treasure to be savored.
6 of 7 people found the following review helpful
4.0 out of 5 stars
Melodic improvisations.
10 Mar 2007
By Jimmy.M
- Published on Amazon.com
Format:Audio CD
Argentinian band leader, Dino Saluzzi specialises in the bandoneon, a German-invented variant on the accordion which takes centre stage for much of this album.
Saluzzi has released music through ECM previously as part of a trio and a quintet, but for "Juan Condori", Saluzzi leads an ensemble comprised largely of his own family members, who play bass, tenor and soprano saxophones, acoustic and electric guitars. Only the drummer strays from the Saluzzi gene pool.
As a bastion of traditional Argentinian music, its only fitting that the tango is well represented on Saluzzi's recordings.
"Milonga De Mis Amores" is a jazz-inflected take on the form, which aptly summarises much of the album: it's a combination of traditional types and harmonic structures played with freed up swingtime and improvisation. It's probably on the more rigid, uptempo numbers that the group works best.
More contemplative pieces like "Memoria" and "Soles/La Camposanteña" lose some of their distinctive ethnicity and perhaps become a tad too easy going, whereas the sophisticated rhythmic shifts and Latin harmonies of "La Parecida" best showcase Saluzzi's instrumental chops and considerable skills as a composer.
"Juan Condori" is one of those recordings where jazz, folk music, and improvisation all wind themselves into the notion of a complex but utterly beguiling song.
Saluzzi has released music through ECM previously as part of a trio and a quintet, but for "Juan Condori", Saluzzi leads an ensemble comprised largely of his own family members, who play bass, tenor and soprano saxophones, acoustic and electric guitars. Only the drummer strays from the Saluzzi gene pool.
As a bastion of traditional Argentinian music, its only fitting that the tango is well represented on Saluzzi's recordings.
"Milonga De Mis Amores" is a jazz-inflected take on the form, which aptly summarises much of the album: it's a combination of traditional types and harmonic structures played with freed up swingtime and improvisation. It's probably on the more rigid, uptempo numbers that the group works best.
More contemplative pieces like "Memoria" and "Soles/La Camposanteña" lose some of their distinctive ethnicity and perhaps become a tad too easy going, whereas the sophisticated rhythmic shifts and Latin harmonies of "La Parecida" best showcase Saluzzi's instrumental chops and considerable skills as a composer.
"Juan Condori" is one of those recordings where jazz, folk music, and improvisation all wind themselves into the notion of a complex but utterly beguiling song.
2 of 2 people found the following review helpful
5.0 out of 5 stars
Deep Sounds From Argentina
4 July 2008
By Transfigured Knight
- Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
Bandoneonist Dino Saluzzi has been making his unique mark on the jazz world for quite some time. "Juan Condori" marks one of his best efforts and it is truly a family affair.
There are many things that make this recording standout from most of the crap that is released today and that thing is emotion. There is heart and soul in this music. You can hear it and if you don't feel it, then I'm afraid you don't have a soul. There isn't anyting here not to like. Improvisational music that has melody, rhythm, structure, and beauty.
Saluzzi's son, José Maria Saluzzi, is really what made this album such a pleasure. His gorgeous tone, touch, and textural chord voicings are mesmerizing. This is not to say the rest of the band didn't have an impact, but I think if Jose wasn't on this album, it wouldn't be the same. He clearly is the sound behind "Juan Condori" not his father.
The compositions themselves are quite interesting. Tango-like tunes with so much deep texture and warmth. The slower tunes are so lyrical. There is so much to enjoy about this recording.
I highly recommend this album to anyone interested in hearing something different and refreshing.
There are many things that make this recording standout from most of the crap that is released today and that thing is emotion. There is heart and soul in this music. You can hear it and if you don't feel it, then I'm afraid you don't have a soul. There isn't anyting here not to like. Improvisational music that has melody, rhythm, structure, and beauty.
Saluzzi's son, José Maria Saluzzi, is really what made this album such a pleasure. His gorgeous tone, touch, and textural chord voicings are mesmerizing. This is not to say the rest of the band didn't have an impact, but I think if Jose wasn't on this album, it wouldn't be the same. He clearly is the sound behind "Juan Condori" not his father.
The compositions themselves are quite interesting. Tango-like tunes with so much deep texture and warmth. The slower tunes are so lyrical. There is so much to enjoy about this recording.
I highly recommend this album to anyone interested in hearing something different and refreshing.
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4.0 out of 5 stars
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