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Dahl has picked up on one of the most sinister aspects of hostage situations, which is that quite minor concessions in negotiation can often be more meaningful than they seem. If the film has a weakness it is that the irresponsibility of the two young men is eminently plausible and not especially sympathetic, and the trucker, rather like the faceless driver in Steven Spielberg's Duel, is never more than a monstrous force of nature. Along the way, though, Roadkill delivers an appropriate number of thrills and sudden reversals, which all makes for an exciting journey into terror.
On the DVD: Roadkill on disc has commentaries by the director, by the writers and by stars Steve Zahn and Leelee Sobieski; it also has a fascinating wealth of alternate endings including one in which the whole third act of the movie goes in a radically different direction. It has a widescreen anamorphic visual ratio 2.35:1 and vibrant Dolby 5.1 sound that pumps up the tension in some crucial scenes. --Roz Kaveney
THE PLOT: The film's instantly likeable hero, Lewis, played by Paul Walker (The Fast and The Furious) a scholarship student at Berkeley, buys a battered 1971 car so he can pick up Venna (Leelee Sobieski), who he has a major crush for, from the University of Colorado and drive her to the East Coast for summer vacation. However, on the way he unexpectedly has to pick up his irresponsible older brother Fuller (the always excellent Steve Zahn) who's in a Salt Lake City jail on a drunk-and-disorderly charge. During the journey Fuller buys a cheap CB radio and involves Lewis in an unpleasant practical joke at the expense of a truck driver with the CB handle 'Rusty Nail' but they find themselves in fear for their lives when old Rusty turns out to be a psychopath who takes a violent dislike to them. From then on, they themselves become the objects of the unseen Rusty Nail's revenge. After several hair-raising encounters, they resolve not to tell Venna of their adventures when they pick her up at the clean, well-lit Colorado campus.
It would be easy to criticise Roadkill (known as Joy Ride in America). Its premise is hardly original and its reliance on a CB radio as a plot device harks back to the seventies, rather than the present day when everybody (except in this movie) has a cell phone. However, Roadkill is actually a stunning success due to its faultless direction, which creates Hitchcock like suspense and provides many heart stopping moments. The script is excellent too combining and balancing humour and horror in equal measures, often hinting at violence that is not actually seen and providing nervous moments of humour whilst avoiding corniness. As for the three leads they are perfectly cast with Paul Walker, minus the blonde beach boy locks he sported in The Fast and the Furious, making a good fist of the part of the boy from the wrong side of the tracks in love with the girl from the right side of the tracks played by the equally impressive Leelee Sobieski (Deep Impact). Steve Zahn (Out of Sight) as the misfit brother Fuller is also excellent and he steals many of the scenes with witty one-liners but ultimately this is a movie whose strength lies in the sum of all its parts. Cheaply made it shows that its not big budgets that make great movies its talent and imagination. Here's hoping there's a sequel! Four stars, well merited. ****
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