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This book is far more than an accomplished comedy of manners, though it may be read as simply that. Its complex nesting of love-triangles denotes the presence of the muse in, ultimately, nightmarish mode. I believe it is a model and precursor for Cocteau's Les Enfants Terribles, mention of which immediately calls attention to this work's superior quality as literature and imagination. Antal Szerb deserves our love and gratitude for depicting civilisation and its discontents with a loving mockery counterbalanced by a clear sense of the darkness and menace implicit in civilisation's overthrow (or latent in its roots). He knew so much and spoke so well, we are fortunate to have inherited this much of his genius.
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