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Review Me and Mr Johnson is Clapton's open acknowledgement to the Mississippi blues master Robert Johnson; a man Clapton says has influenced him all his life. Recording in 1936 and for a year or so afterwards, Johnson played songs that echo up from the wellspring of popular music like solemn and brooding prayers to some dark entity. Rumour was that he had sold his soul to Beelzebub, down at the crossroads, in exchange for his extraordinary guitar expertise. He died in 1938 but he has become a touchstone for the genre, his brief output inspiring a host of postwar guitarists and songwriters, from Howlin' Wolf and B.B. King, to the British bluesmen such as Page and Clapton. Without Johnson the blues would be a very different shade indeed.
So, 35 years on, Clapton is no longer God: he now plays the Devil. For him to take on Johnson's catalogue makes perfect sense. With both wailing electric guitar and acoustic-slide under his arm, Eric runs through ''When You Got a Good Friend'', ''Milkcow's Calf Blues'', ''Come On In My Kitchen'' and a dozen other tried and tested Johnson tunes. They are all delivered with sincerity, love and respect. The band are as tight as a bottle-stop, the recording is as clear as a bell and Clapton's singing and playing sound just fine. Me and Mr Johnson will appeal to his AOR audience after a bit of authentic as much as it will to staunch blues fans hungry for digital-age renditions of Johnson standards. --Rob Webb
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Backed by his core "houseband" of Steve Gadd, Nathan East and Andy Fairweather-Low, with additions of Billy Preston on keyboards and Jerry Portnoy on harmonica especially, EC delivers a set of perfunctory performances none of which really gets under the skin of RJ's lyrics or provides renditions that leave you wanting to listen again. After several listenings, the main issue seems to be EC with vocals that sound ragged in parts and guitar playing (either electric or acoustic) that is overall professional but not memorable, plus a drum mix that at times seems incongruous.
By the end I felt I was simply listening to a very good blues band "having a blow" session and found my mind wandering to better versions of individual RJ songs (such as the Stone's "Love in Vain"; Flaming Groovies "32-20 Blues" and Peter Green's Fleetwood Mac's "Hellhound on my trail").
In summary a listenable but not memorable recording.
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