I really wish Amazon would stop describing items as boxes - this is a double CD inside a jewel case.
A long time coming, but here it is, the first retrospective of jazz man Johnny Dankworth's contributions to both TV & film. Most of it is out of print and has been for many decades.
Disc 1 features Dankworth's contributions to the movies, some of them obscure and fairly forgettable. Unsurprisingly Cleo Laine weighs in with 4 vocals including 'All Gone' from 'The Servant' and the ultra cool 'Life Is A Wheel' from a documentary called 'Scruggs.' 2 tracks are taken from 'Darling', the wonderful wordless 'Pavane for Diane' and the equally awful 'Darling' sung, or rather intoned by Dirk Bogarde. The title theme for 'Sands Of Kalahari' has a fairly swinging groove for a movie about plane crash survivors in the desert. Manfred Mann's Mike Vickers performs the title theme to 'Morgan, A Suitable Case For Treatment.' 3 tracks are taken from the Johnny Leyton vehicle 'The Idol', I know nothing of the movie but the score is certainly groovy - plenty of hammond organ. The 4 tracks from the camp spy spoof 'Modesty Blaise' (these sound better than on the fairly recent harkit release) demonstrates Dankworth's ability to write a pop art score. 'Accident' by comparison is a hauntingly beautiful jazz composition that has a complexity perfectly in tone with a movie directed by Joseph Losey and scripted by Harold Pinter.
Disc 2 features Dankworth's other work, some originals and others covers. The highlight here is the opener - Dankworth's theme from The Avengers when Honour Blackman was it's star. The next 2 tracks are from a concept album titled 'What The Dickens' featuring tener saxophonist Tubby Hayes - imagining Dickens characters through jazz is odd to say the least but the playing is superlative. Though the following 2 tracks derive from another concept album 'Zodiac Variations', it could have come from the same album. Cleo Laine returns for a couple of Shakespeare inspired tracks - don't do much for me I'm afraid but Cleo Laine I find is an acquired taste. Tracks 8 & 9 'Beefeaters' and 'Down A Tone' (from the TV Show Search For A Star) will get even the most stubborn pair of feet out of the chair. There's some excellent compositional work included from another concept album 'The $1,000,000 Collection' in which Dankworth drew on his love of Art. 'Off Duty' & 'Holloway House' find Dankworth in a very late 60's vybe, almost funky and not unlike the kind of sounds you find on sound library records. 'Bitter Lemons' from 1973 is in a similar vein but most certainly funky and as for James Taylor's 'Night Owl', well I've never heard Cleo Laine get down and dirty - okay it's not Tina Turner but Cleo's heading in that direction.
I would have liked more selections from Dankworth's work in film, for instance 'Fathom', '10 Rillington Place' or 'Salt & Pepper' but there must have been issues with rights. Sleeve notes are good with colour reproductions of the album sleeves and aside from a discrepency between the sleeve notes and the tray sleeve concerning the amount of tracks (the back sleeve is correct), this is unquestionably an essential release for jazz and soundtrack fans