Have one to sell? Sell yours here
Sorry, this item is not available in
Image not available for
Colour:
Image not available

 
Tell the Publisher!
I’d like to read this book on Kindle

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

Johann Sebastian Bach: The Learned Musician (Norton Paperback) [Paperback]

Christoph Wolff


Available from these sellers.


Amazon.co.uk Trade-In Store
Did you know you can trade in your old books for an Amazon.co.uk Gift Card to spend on the things you want? Visit the Books Trade-In Store for more details. Learn more.

Book Description

29 Oct 2001 Norton Paperback
Although we are acquainted with the music of J. S. Bach through countless performances and recordings, the composer himself continues to come across as the somewhat enigmatic figure depicted in a single, familiar portrait. Published in 2000 to mark the 250th anniversary of Bach's death, author and leading Bach scholar Christoph Wolff presents a new picture that brings to life this towering figure of the Baroque era.

Now available in paperback, this engaging biography portrays Bach as the living, breathing--and sometimes imperfect--human being that he was, while bringing to bear all the advances gained in the last half-century of Bach scholarship. Wolff demonstrates the intimate connection between the composer's life and his music, showing how Bach's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher. And throughout, we see Bach in the broader context of his time: its institutions, traditions, and influences. With this highly readable book, Wolff sets a new standard in Bach biography.
--This text refers to an alternate Paperback edition.

Customers Who Viewed This Item Also Viewed


Product details

  • Paperback: 624 pages
  • Publisher: W. W. Norton & Co.; Reprint edition (29 Oct 2001)
  • Language: English
  • ISBN-10: 9780393322569
  • ISBN-13: 978-0393322569
  • ASIN: 0393322564
  • Product Dimensions: 15.7 x 4.3 x 23.4 cm
  • Amazon Bestsellers Rank: 1,019,781 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, and more.

Product Description

Amazon Review

The Learned Musician is an apt subtitle for this intellectual biography, which assesses the career of Johann Sebastian Bach (1685-1750) with the scholarly rigour one would expect from a Harvard professor. Opening with a 1737 attack by a critic who labelled Bach a pedant who spoiled the natural beauty of his creations with "an excess of art", Christoph Wolff cogently compares the German composer to English scientist Isaac Newton. Both men "brought about fundamental changes and established new principles" in their chosen fields, he argues; both sought to reveal God's harmonious ordering of their world. While Wolff conscientiously covers the basics of Bach's life, including his two marriages and the musical achievements of his gifted family, the author's primary focus is on his performing (Bach was an unrivalled organist) and composing. From the Goldberg Variations through the Brandenburg Concertos to Art of the Fugue, Wolff carefully analyses Bach's innovations in harmony and counterpoint, placing them in the context of European musical and social history rendered in nicely atmospheric detail. Casual readers may find this dense tome a bit daunting, but serious music lovers will relish the deeper understanding it conveys of a genius who transformed Western music. --Wendy Smith --This text refers to the Hardcover edition.

Review

eminently readable, at times even colloquial. Wolff is one of the foremost Bach scholars today, and his comprehensive knowledge of the source materials equips him admirably to write such a book ... all sorts of interesting details emerge. (John Kitchen, Early Music Today, Oct.-Nov. 2000 )

Drawing on a lifetime's involvement with Bach's music, Professor Wolff has written what is undoubtedly the most authorative and up-to-date survey of the composer's life and works in English, and probably in any language. (Malcolm Boyd, The Gramophone )

Musical biographies don't come much better than this ... no-one seriously interested in Bach should pass it by. (Bettina Neumann, Piano, July-Aug 2000 )

this is a learned and satisfying account of Bach's work, temperament and milieu which will disappoint neither specialist nor general music lover. (Nicholas Anderson, BBC Music Magazine ) --This text refers to an alternate Paperback edition.

Inside This Book (Learn More)
First Sentence
By an auspicious coincidence, Sebastian Nagel, town piper of Gotha and friend of Johann Ambrosius Bach, happened to be in Eisenach on the third weekend in March 1685. Read the first page
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index
Search inside this book:

What Other Items Do Customers Buy After Viewing This Item?


Customer Reviews

There are no customer reviews yet on Amazon.co.uk.
5 star
4 star
3 star
2 star
1 star
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.9 out of 5 stars  28 reviews
26 of 26 people found the following review helpful
5.0 out of 5 stars A scholarly masterpiece worthy of your intelligence! 16 Sep 2003
By A Customer - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
This book is most ostensibly not a work intended to provide a layman's knowledge of Bach. The book assumes a fair knowledge of Bach and his oeuvre, as well as a thorough knowledge of music theory and general instrumentation. Cristoph Wolff has written a thoroughly satisfying and extraordinarily comprehensive summary of Bach's professional and personal lives. I found that despite the book's intrinsically serious tone, reading it as a whole felt not like a biography, but a story that us Bach fanatics wish would never end.

This book is thoroughly impressive in both its scope and its detail, though the numerous tables cataloguing Bach's work from the various periods such as Weimar and Cothen are not as well integrated in text as one might hope. Where Wolff makes the occasional reference to the tables, I as the reader desired to see more comparison and analysis of various works in each period.

It is also immediately apparent upon even a glance through the index that Wolff dedicates much of his analysis of Bach's major works to Bach's vocal music, and notably less space to Bach's instrumental and keyboard/organ music. As we know, Bach's Fugue "the Great" in G minor, BWV 542, is a towering masterpiece of Bach's (and Baroque) organ music, but Wolff hardly affords it the analysis it demands. He also neglects to develop much depth of analysis with Bach's instrumental works. For example, we know that nearly all of Bach's solo and multiple piano concerti have their roots in previous concerti, but little attention is paid as to why Bach chose to transcribe to piano(harpsichord), why he selected the works he did, and whether there is a distinct method/pattern to Bach's transcriptions.

Wolff does do, however, an exquisite job of analysis of Bach's vocal music, exploring the depth of Bach's passion for writing cantatas, and how skillfully he was able to interpet his vision of the words into music. Wolff provides numerous glimpses of Bach's organ expertise, especially in the field of repair and construction. These descriptions do require some prior knowledge of how an organ produces sound and how it is played in order to be enjoyed to the fullest. The book also does a magnificient job of exploring and relating the various and primary influences on Bach's musical development and style. Wolff provides an insight into the influence of Dietrich Buxtehude especially, as well as that of Johann Pachelbel and the numerous older Bach relations. Much has been heaped upon Mozart's child prodigy fame, but even those of us for whom Bach is a perpetual favorite, know little about Bach's formative years, and Wolff gives a very comprehensive look at Bach's musical training.

Wolff's small digressions notwithstanding, this book is truly one every lover of Bach should keep in his library. (And reread every so often!)

26 of 28 people found the following review helpful
1.0 out of 5 stars Don't buy on Kindle 29 Jan 2011
By plhgg - Published on Amazon.com
Format:Paperback
Someone else has warned that the Kindle edition lacks the illustrations that appear in the book. For me a far more serious flaw is that the Kindle edition lacks this book's substantial index (one can view the index in the Amazon "search this book" function, but it's not possible to print it out. It's true that an index in a Kindle book won't have page numbers as locators, but the index should still be included as a way of seeing what information is available. Yes, one can do a search in the Kindle, but that's not good enough. Amazon claims that the book only contains what the publisher sent them. Fine, then this is the publisher's fault; however, buyers should be warned if/when the Kindle edition does not contain the whole book.
17 of 17 people found the following review helpful
5.0 out of 5 stars Best book ever on Bach 11 Dec 2002
By Mike Duffy - Published on Amazon.com
Format:Paperback
The usual view of Bach's life that I grew up with portrays him as something of a musical hermit, producing masterpieces and children at a prolific rate in relative anonymity with little or no earthly recognition. This book completely revises my view of Bach's life. Wolff shows Bach as a fantastically well-rounded and charismatic musician with a fantastic ability to create masterpieces, a great teacher, well loved and respected member of the community, a profound and simple Christian, and a fundamentally happy, joyful, complete man. Wolff also tries to show that Bach was the greatest musician who ever lived, and does a pretty convincing job at that. I always knew Bach was a great musician; this book simply reinforces and proves my intuition. His intermittant references to Newton are a little annoying and indicative of the hyperbole Wolff sometimes uses, but one gets used to them. The book also shows his human side - his mercurial temperment, his sometimes overbearing and demanding personality, and his greed. This book contains an enormous amount of personal information on Bach, far more than I knew existed. Wolff writes well and does not use an inordinate amount of musical terminology, so a musical illiterate like myself can still read and enjoy him. If you love Bach's music get this book, and you might as well the New Bach Reader along with it, as a good percentage of the quotes in Wolff's come directly from this source.
Were these reviews helpful?   Let us know

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Active discussions in related forums
Search Customer Discussions
Search all Amazon discussions
   
Related forums


Listmania!


Look for similar items by category


Feedback