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Joe Meek's Bold Techniques
 
 

Joe Meek's Bold Techniques [Kindle Edition]

Barry Cleveland

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Product Description

Product Description

Legendary British producer and technical innovator Joe Meek—the man behind the hit “Telstar”—has become a cult figure since his death in 1967, with Meek fan clubs, CD collections, and retrospectives growing in popularity every day, and a major documentary film on the way. Although much attention has been paid to his unusual life story and tragic passing, Joe Meek’s Bold Techniques is the first book that gives the details on the methods that lead to Meek’s influential hits. Written by veteran music journalist Barry Cleveland, this book takes an industry perspective on Meek’s life. It explores his 12-year professional career in great depth, with special attention paid to the equipment and techniques he used, and the effect that his work had on the people around him. Also included are links to a newly restored and remastered version of Meek’s legendary 1959 stereo album about life on the Moon, I Hear a New World, made available in its original form for the first time.

This eBook Second Edition of Joe Meek’s Bold Techniques updates the 2001 print edition with a new Introduction, new information, an additional chapter, and newly restored audio.

"This is the ultimate Joe Meek book, with less emphasis on what an oddball he was, and instead there's immaculate research on the gear and techniques Joe employed to achieve his studio nirvana. Known for his echoing, distorted pop songs (everyone knows his big hit, "Telstar"), he was a pioneer in close-mic ing, freelance engineering, home studio running, and a million other aspects of recording that we take for granted these days. Author Barry Cleveland (who writes for Mix and other mags) meticulously researched every aspect of Joe's gear and techniques and, thank God, is an engineer like us so he doesn't make stupid technical mistakes like "rock journalists" always do. Barry even went as far as to locate and remaster a new version of Meek's long lost masterpiece, I Hear A New World, which comes with this book. This book really opened my eyes to what an innovator Joe Meek was and even gave me ideas to toy with in future sessions of my own. Everyone reading Tape Op would enjoy this book!" Larry Crane, Editor --Tape Op Magazine

"Barry Cleveland's Creative Music Production: Joe Meek's Bold Techniques ($34.95) is likely to have the broadest appeal. The volume profiles the strange and astounding life and career of legendary '50s-'60s British producer/engineer Joe Meek, but its main thrust is analysis of his unusual and groundbreaking studio techniques. Meek's infamous secretiveness about his methods makes it impossible to know exactly what he was doing at any given time, but Cleveland provides good projections about his subject's inventive use of echo, reverb, delay, compression, distortion, tape loops and otherworldly sound effects, in particular as regards Meek's biggest hits, The Tornados' 1962 international phenomenon "Telstar" and The Honeycombs' 1964 British Invasion smash "Have I the Right?"Detailed discussion of the equipment Meek used, as well as his own homemade electronic innovations, is bolstered by some fascinating archival photos, including those that show Meek in his element. Further anecdotal reportage covers Meek and his peculiar world of independent production, which included his affiliations with then completely unknown musical personages such as Ritchie Blackmore (later of Deep Purple), Steve Howe (later of Yes), Rod Stewart, Tom Jones and others. Meek was a bit of a freak--an extremist, a paranoiac, an occultist of sorts and a tortured homosexual at a time when the world was less sexually open. Yet his forward-thinking approach to record-making earned him the status of "genius," on a par technologically and creatively with pioneers such as Les Paul and Phil Spector. Artistpro's volume includes a comprehensive discography of Meek productions and a re-remastered--i.e., restored to 'warts and all' original quality--CD of Meek's 1959 concept album, I Hear a New World." --Nash

Product details

  • Format: Kindle Edition
  • File Size: 7042 KB
  • Print Length: 321 pages
  • Publisher: BookBaby; 2 edition (11 Nov 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B0069ZNOSK
  • Text-to-Speech: Enabled
  • Amazon Bestsellers Rank: #127,484 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Amazon.com:  1 review
Nice technically focused biography of Joe Meek 19 May 2012
By Ricard Wanderl¿f - Published on Amazon.com
Amazon Verified Purchase
Having recently re-discovered "Telstar" (the song, not the movie) since my childhood days, I've been getting more and more intrigued by Joe Meek. Not having read John Repsch's biography, which is out of print anyway, I decided to give Barry Cleveland's 'Joe Meek's Bold Techniques' a go.

First of all, with the printed book, you get a CD with Meek's "I hear a new world", remastered by the author. I ordered the Kindle edition and wondered about the CD, obviously is was not going to be included in an electronic version. Quite simply, there are a bunch of MP3 links at the end of the book to the author's own site with the files, so yes, it is included in the electronic version too, a nice touch.

I found the book very interesting. Just as the title says, it focuses on the techniques and technologies that Meek used, in fact there's almost a bit too much focus on exactly which tape recorders etc he owned and used. In complement there is a substantial amount of biographical information too, as well as analyses of several of Meek's productions, including "I hear a new world" and "Telstar".

Being an amateur musician and sound tinkerer, as well as an electrical engineer by profession, I found it all very interesting. The book nicely balances the raison-d'etre of Meek, namely his producing and recording skills, with biographical background information to give a complete picture.

A final note: if you are planning to watch "Telstar - the movie", I'd suggest reading a biography such as Cleveland's first. There are lots of subtle references in the film that will pass you by otherwise, and on its own the film doesn't paint a pretty picture of a man who was indeed a genius.

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