stardom was supernova, thanks to Dirty Harry
; John Sturges, the man behind The Magnificent Seven
and a dozen other memorably leathery Westerns, was directing; and Elmore Leonard was the screenwriter. It just goes to show. Joe Kidd
is a muddle and a drag, the shoddiest Eastwood vehicle since Rowdy Yates trod in his last cow flop. Kidd, first seen as a duded-up drunk sleeping one off in jail, is supposed to be a horse rancher and an expert tracker--just the fellow a rapacious land-grabber (Robert Duvall committing lazy villainy) needs to chase down the uppity Latino (John Saxon
) who's trying to reclaim the grabbed land for its rightful owners. Neither the characters nor the overland pursuit makes any sense, thanks to chasms in the continuity and no direction to speak of. An absurdly arbitrary assault-by-locomotive provides the climax; as Eastwood observed, "Jesus, anything at this point--let's end it." --Richard T. Jameson
audio italianojoe kidd e' uno dei tanti rancheros che abitano una zona del nuovo messico dove i nativi sono stati espropriati da un gruppo di bianchi i quali, per ottenere questo scopo, hanno distrutto con un incendio l'archivio dove erano conservati tutti i documenti relativi alle proprieta'. lo scontro tra le due comunita' arriva al culmine e va avanti senza esclusione di colpi.