As readers of the excellent collection of interviews with Bruce Robinson (Smoking in Bed) will note- this film is incomplete. This was due to studio intervention, who typically wanted the running time reduced by twenty-minutes to get to that 2-hour mark (despite the fact that many box-office successes and/or classics frequently step over this mark- e.g. The Godfather, Titanic, Harry Potter, Schindler's List etc). This is the kind of thinking that made films like Hannibal so empty...
...Robinson doesn't appear to have any interest in putting together this butchered film- so Jennifer 8 will always be flawed; a could-have been...Conrad Hall (American Beauty, The Road to Perdition) contributes stunning photography- many scenes pre-date the look of things like The X Files, Se7en(the constant rain) and the severely average remake of Insomnia. The bath/flashbulb scene is particularly excellent, a neo-noir take on films like Peeping Tom & Psycho. Other great scenes are the one in the diner regarding Berlin's dream of God (up there with films like Homicide & Pulp Fiction in terms of dialogue)& the interogation scene with John Malkovich (whose theatrical presence works here- whereas in many films it seems rather hammy). Pity that the 90-second staring match between Garcia & Malkovich was excised; still- very potent stuff.
Another problem of the film lies in the casting, Robinson had wanted a then out of favour Al Pacino to star as the recovering alcoholic divorcee- but was forced to take a rising Andy Garcia (who is now just reaching the age where he would be suited to this). Garcia gives a very good performance- I wonder if the moniker Berlin alludes to a troubled past and new start (i.e. the fall of the Berlin Wall a few years before this film)- probably just me being anal...Lance Henriksen, Kathy Baker & the other more unfamiliar actors give sterling performances- Uma Thurman is wonderful here- a key performance that ranks next to Joan Allen in Manhunter (1986).
The denoument of the film is woeful, Berlin never arriving to save the day makes little sense and the final scene (I Remember Red) was just an out-take tacked on- would have been nice to see the original ending where you discover Taylor has a bullet-proof vest and Baker hasn't killed him...
Jennifer 8 is worth watching, though the final third drags and the final scenes are mostly an insult to anyone with any intelligence- they should have been like Silence of the Lambs or Manhunter tension-wise. Fingers crossed for a 'directors'- cut!