- Hardcover: 334 pages
- Publisher: Harcourt (17 Jan 2005)
- Language English
- ISBN-10: 0151010250
- ISBN-13: 978-0151010257
- Product Dimensions: 22.9 x 16 x 3.3 cm
- Amazon Bestsellers Rank: 2,465,269 in Books (See Top 100 in Books)
Jass
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14 reviews
11 of 11 people found the following review helpful
Jass gives vivid glimpse of early Jazz
8 Jan 2005
Format:Hardcover
The death of a Negro musician is not something that turns many heads in
Storyville. But when several die, private detective Valentin St.Cyr is moved to
look into the situation. In no time, he finds resistance coming from all directions. No
one seems eager to have the truth uncovered.
Jass, the second book in the Valentin series, is set in the red light
district of New Orleans in the first part of the 20th century. The story is alive
with brothels and music halls, overflowing with the lively, new music called Jass.
David Fulmer has created an interesting character, in Valentin, and placed
him in a rich, colorful world that comes alive to us thanks to the author's
skillful descriptions. I am not normally a fan of historical novels, as they
often spend too much energy on setting and the characters suffer because of it,
but Fulmer manages to avoid overloading the pages with the time and place. He
gives us just enough to envision this wonderful world yet still keeps the
characters front and center. The characters themselves are realistic and engaging.
If you are a fan of music, you should enjoy the portrayal of Jazz at it's
birth. If you are a fan of historical novels, turn of the century New Orleans is
fascinating. If you enjoy complex characters, then Valentin should draw you in. In short, this is a book that can be enjoyed by just about everyone.
Storyville. But when several die, private detective Valentin St.Cyr is moved to
look into the situation. In no time, he finds resistance coming from all directions. No
one seems eager to have the truth uncovered.
Jass, the second book in the Valentin series, is set in the red light
district of New Orleans in the first part of the 20th century. The story is alive
with brothels and music halls, overflowing with the lively, new music called Jass.
David Fulmer has created an interesting character, in Valentin, and placed
him in a rich, colorful world that comes alive to us thanks to the author's
skillful descriptions. I am not normally a fan of historical novels, as they
often spend too much energy on setting and the characters suffer because of it,
but Fulmer manages to avoid overloading the pages with the time and place. He
gives us just enough to envision this wonderful world yet still keeps the
characters front and center. The characters themselves are realistic and engaging.
If you are a fan of music, you should enjoy the portrayal of Jazz at it's
birth. If you are a fan of historical novels, turn of the century New Orleans is
fascinating. If you enjoy complex characters, then Valentin should draw you in. In short, this is a book that can be enjoyed by just about everyone.
12 of 13 people found the following review helpful
A mix of murder, mayhem and music
31 Dec 2004
Format:Hardcover
In 1909, Storyville is filled with rounders and criminals of all sorts and musicians have been known to enjoy the natural vices of women, drugs and gambling as well as any man. Someone is systematically killing black "Jass" players in Storyville, the red-light district of Louisiana.
When Jelly Roll Morton calls in Valentin St. Cyr, head of security for Tom Anderson, "The King of Storyville", St. Cyr doesn't attribute anything more cryptic to the deaths than a few musicians meeting an inevitable fate, engaged in dangerous pursuits. However, once Jelly Roll plants the seed of doubt, the former police detective monitors unfolding events with a nagging sense of unease. When all the musicians involved are connected to the same band and the only one still alive has gone into hiding, St.Cyr comes to the realization that something sinister may indeed be afoot. The detective digs in his heels, as is his nature, when both the police and the mayor demand that St. Cyr back off from the direction of the investigation.
The author uses the vernacular of the early 1900's, describing the infamous Storyville with the colorful adjectives of dissolution, profit and notoriety that so define the District. St Cyr has compassion for the women who endure the rigorous nights of Storyville, a life that seduces the young and beautiful, but exists for the pleasures of men of power and wealth. In this world, the bright lights of revelry fade to the devastating poverty and rampant crime exposed in the light of day.
Risk comes naturally to St Cyr, although he may have lost his edge lately, given to self-pity and too much drinking, personal relationships besieged with problems. But his well-honed instincts remain intact. Refusing to be intimidated by the easy violence of Anderson's rounders, the detective prowls the familiar alleys and bawdy houses, pushed to examine some of his own failings in the process. The bright lights and drunken laughter fade into the black depths of depravity as St. Cry uncovers some ugly truths that put his own future in jeopardy. The plaintive notes of musicians catch fire, as jass seduces the night, a plaintive refrain for senseless killings born of one fateful rampage, a heady mix of music, sex and drugs.
This novel portrays Storyville at its height of notoriety, where graft and greed happily coexist with beautiful women of all hues, painted and gilded for men's pleasure, where every desire can be accommodated, even the oblivion found at the end of a needle. This is a society that exists with its own mores, its own rules of conduct. St. Cyr is familiar with these streets, well-known to the few who wield the power and protect the clandestine acts of murderers; the dark covers a multitude of sins. But more powerful and seductive than any vice, a new kind of music, jass, wails through the midnight hours, refusing to be silenced in the agony of birth. Luan Gaines/2005.
When Jelly Roll Morton calls in Valentin St. Cyr, head of security for Tom Anderson, "The King of Storyville", St. Cyr doesn't attribute anything more cryptic to the deaths than a few musicians meeting an inevitable fate, engaged in dangerous pursuits. However, once Jelly Roll plants the seed of doubt, the former police detective monitors unfolding events with a nagging sense of unease. When all the musicians involved are connected to the same band and the only one still alive has gone into hiding, St.Cyr comes to the realization that something sinister may indeed be afoot. The detective digs in his heels, as is his nature, when both the police and the mayor demand that St. Cyr back off from the direction of the investigation.
The author uses the vernacular of the early 1900's, describing the infamous Storyville with the colorful adjectives of dissolution, profit and notoriety that so define the District. St Cyr has compassion for the women who endure the rigorous nights of Storyville, a life that seduces the young and beautiful, but exists for the pleasures of men of power and wealth. In this world, the bright lights of revelry fade to the devastating poverty and rampant crime exposed in the light of day.
Risk comes naturally to St Cyr, although he may have lost his edge lately, given to self-pity and too much drinking, personal relationships besieged with problems. But his well-honed instincts remain intact. Refusing to be intimidated by the easy violence of Anderson's rounders, the detective prowls the familiar alleys and bawdy houses, pushed to examine some of his own failings in the process. The bright lights and drunken laughter fade into the black depths of depravity as St. Cry uncovers some ugly truths that put his own future in jeopardy. The plaintive notes of musicians catch fire, as jass seduces the night, a plaintive refrain for senseless killings born of one fateful rampage, a heady mix of music, sex and drugs.
This novel portrays Storyville at its height of notoriety, where graft and greed happily coexist with beautiful women of all hues, painted and gilded for men's pleasure, where every desire can be accommodated, even the oblivion found at the end of a needle. This is a society that exists with its own mores, its own rules of conduct. St. Cyr is familiar with these streets, well-known to the few who wield the power and protect the clandestine acts of murderers; the dark covers a multitude of sins. But more powerful and seductive than any vice, a new kind of music, jass, wails through the midnight hours, refusing to be silenced in the agony of birth. Luan Gaines/2005.
5 of 5 people found the following review helpful
Lushly Atmospheric
28 Jan 2005
Format:Hardcover
This is a good one. The story structure is a little clunky and the shocking revelation at the end isn't very, but the writing is excellent, the characters are compelling and, best of all, the author creates the historical period, New Orleans in 1908, vividly and convincingly. You can smell the air, taste the chicory coffee and hear the thumping beat of the jass. This is the 2nd book in what I hope will be a longer series.
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