Jaques-Louis David and Jean-Louis Prieur, Revolutionary Artists: The Public, the Populace, and Images of the French Revolution [Paperback]

The first part of the editorial review is definitely about another book by Uwe Lajer-Burcharth (Necklines) and is not about this book. Only the second part of the review refers to this book but I disagree that this book is recommended only for libraries. I found this book to be quite an intoxicating read as the other reader reviewer has stated.
Here, Warren Roberts display a very lucid understanding of the chronological events of the French revolution as it unfolded and has written a key account, linking it specifically to the lives of two artists who were inextricably linked up with the key events.
The book is divided into 5 sections. An introduction outlines the situation that France found herself in shortly before the French revolution took place. Then the next section focuses in on the key events of the revolution, linking them up to practically all of the chronological engravings of J Prieur. The true value of this book really is in the 60-odd historical tableaus drawn by Prieur and the marrying of the somewhat confusing chronological events of the French revolution to these tableaus. The author gives a thorough description of each historical tableau within the text, not in the captions, and this is what makes the book so readable. With hindsight, Prieur apparently recorded quite faithfully all the key events iand this contemporary visual evidence is the closest that we have to unbiased visual documentation of the period. The third section gives a very comprehensive essay on Roberspierre and the various factions within the French republic. This is then followed by a section on J.L. David and his accomplishments. Most readers will probably be familiar with David's biography and there are no surprises here. A concluding section brings all the threads together.
The two artists selected and contrasted here are J.L. David and J. Prieur, both Jacobin members and the contrasts in their abilities and fortunes could not have been more dramatic. Both artists worked for the revolution and recorded them, David in a painterly academic style which created the classical movement in art whilst Prieur was an unremarkable jobber, whose 60-odd historical engravings are now housed in the present Carnavalet museum, Paris, and has been rescued from relative obscurity by Roberts in this enlightening and entertaining book. While David survived the revolution, Prieur was beheaded shortly after completing his last scene.
I came away with a good understanding of the French revolution due to the complete empathy that Roberts gives to the period.
The only complaint that I have is that the book is physically quite small and hence, the reproduced engravings are small, too, hence 4 stars.
Highly recommended even for the layperson.

As a student of both art and art history, I found Dr. Robert's book intoxicating. From beginning to end this impecccably researched book provides the facts in a stunning and original way. There is no better book telling the story Of the Revolution and the effect it had on art.