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| 1. Robot Factory | |||
| 2. Let's Buy A Bridge | |||
| 3. Border Country | |||
| 4. Cake Shop | |||
| 5. The Helicopter Spies | |||
| 6. Big Maz In The Desert | |||
| 7. Big Empty Field | |||
| 8. Mining Villages | |||
| 9. Collision With A Frogman... | |||
| 10. Vs. The Mangrove Delta Plan | |||
| 11. Secret Island | |||
| 12. Whatever Happens Next... | |||
| 13. Blenheim Shots | |||
| 14. Raining In My Room | |||
| 15. Let's Build A Car (Single Version) | |||
| 16. Epic's Trip | |||
| 17. ...Uh... | |||
| 18. Secret Island (Instrumental) | |||
| 19. Amphitheatres | |||
| 20. Big Empty Field (No.2) | |||
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This reissue offers the original 14 track LP from Nikki Sudden, Richard Earl, the late Epic Soundtracks & Jowe Head; adding a further eight-related tracks including the single version of 'Let's Build a Car', 'Epic's Trip' (which Sonic Youth referenced on 'Daydream Nation's 'Eric's Trip') & a series of instrumentals that precede such acts as Durutti Column, Slint, Tortoise & Mogwai. Post Punk = Post Rock sometimes...
The LP proper is fantastic stuff, opening with 'Robot Factory', bizarre Boards of Canada style samples prior to a drumbeat that can be only described as drum'n'bass before drum'n'bass! Interesting that something like this and PIL's 'Four Enclosed Walls' predicted a dance music sub-genre of the 1990s!! 'Let's Buy a Bridge' is a tight organ-driven track with fantastic backing vocals from the whole band & a sax worthy of 'The Modern Dance' or 'Trout Mask Replica.' At this point Swell Maps make the mighty Fall look a bit lightweight in that department - though I was reminded a little of Martin Bramah's post-Fall outfit The Blue Orchids. 'Border Country' is another Sudden-compisition that fits lyrically well alongside things like Joy Division & Magazine, though the music is as intense as Subway Sect's 'Ambition' or Pere Ubu's 'Non Alignment Pact'- it also has a bit of a Gang of Four feel about it, though a lot more sophisticated (Epic's piano sounds as wonderful as earlier Eno or Neu!, adding an otherworldly feel to the angular). Next is the fantastic 'Cake Shop', a popsong so fantastic I'd stake my shins on Girls Aloud or Sugababes having a hit with it now - Jowe Head writes and sings this one with some stunning organ from Sudden in an ode to...a girl in a cake shop! The album just gets better and better with 'The Helicopter Spies', which is a pulsing post-punk joy that has bass as great as Joy Division and wild handclaps that add to its hypnotic aura...
The rest of the album is great, really if you play this and you don't like it YOU'RE WRONG YOU'RE WRONG YOU'RE WRONG...er, right? & ambient minded souls everywhere haven't lived until they've heard Epic's sublime 'Raining In My Room', which is as gorgeous as Messiaen, Satie, Reich, whoever. Swell Maps...in "Jane from Occupied Europe" is a fantastic record from an extremely overlooked band - it is an album that should be considered alongside post-punk stock-texts as 'Unknown Pleasures', 'Real Life', 'Metal Box', 'Cut', 'Chairs Missing', 'Dragnet', 'Dub Housing', 'Y', & 'The Only Fun in Town.' This made the seemingly fresh Artic Monkeys seem like Genesis - this is wild DIY music made by teens who once 'Read About Seymour.' I'm looking forward to this year's compilation of home-recordings of Swell Maps pre-'Marineville.' Leo Sayer...no the answer is Swell Maps.
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