Although there is much argument about the motivations of many of the main players in Tudor politics, the motives of Jane Parker, Lady Rochford, are some of the most difficult to fathom. Accused by many historians of playing a deliberate role in the downfall of Anne Boleyn and her brother George (her own husband) for reasons which can only be guessed at and also having played an undeniable role in the fall of Catherine Howard, which also resulted in her own destruction, Lady Rochford is a chief figure in some major court dramas and yet we know almost nothing about her. Julia Fox attempts to redress the balance and to provide a more positive depiction of Lady Rochford in the process, but with limited success.
The main problem is the lack of material directly relating to Lady Rochford that Fox has to work with. Hardly any of her own letters survive and she is not often mentioned by contemporary eyewitnesses. As such, Fox is forced to tell her story using the more voluminous amount of information relating to the Boleyn family and by supposition using contemporary ideas of family, dress, behaviour, etc. This does little to create a more defined image of Lady Rochford as a character in her own right - instead, it is chiefly a retelling of the story of the Boleyn family with Jane slotted in (she was "probably" at an event that they were at, she "probably" thought along the lines that they did, etc) and all Fox's ideas of her own thoughts and often movements have no firm foundation. Fox claims that, contrary to popular opinion, the Rochford's marriage was largely a happy union, and yet offers no clear evidence to support this. Also, despite Fox's best efforts to debunk the idea put forward by many historians that Lady Rochford's motivation was vindictive and possibly even a result of mental instability, her attempt to exonerate Lady Rochford from having deliberately assisted in Anne Boleyn's downfall is unconvincing: we are told that she and Anne had been close at one time at least and that Lady Rochford's future was tied to that of the Boleyns, and yet Fox is always hedging her bets for Lady Rochford to have opinions in direct conflict with Boleyn ambitions (she "probably" sympathised with the treatment of Princess Mary, who Fox improbably claims may have had a long-standing friendship with Lady Rochford) - not only is there no evidence given to refute her role in the fall of the Boleyns, Fox's own argument is inconsistent in supporting this line. Fox also makes little of the fact that Lady Rochford was well rewarded financially by Thomas Cromwell after the coup, which would suggest that she had less to lose materially in turning against them than Fox would have us believe; incredibly, Fox also claims that Rochford's relations with her Boleyn in-laws remained cordial after the fall, and yet can only support this using evidence that Thomas Boleyn increased her jointure after 1536, which even she admits was done "grudgingly" and was most likely as a result of pressure from Cromwell which Boleyn, as a result of the fall of his family, could be in no position to resist.
There is less historical ambiguity about Lady Rochford's role in the fall of Catherine Howard and yet Fox's argument here is also largely unconvincing. There may be some truth in Fox's claim that she stayed at court when she easily have gone into comfortable retirement because of the draw of the glamour and excitement of serving at court; however, her assertion that Lady Rochford only became so embroiled in Catherine's illicit affairs for fear of losing her place at court as a senior confidante to the Queen does not make sense. It is not conceivable that a woman with so much experience of court life and having been witness or participant in the presumed adultery and destruction of one queen would simply go along with such dangerous behaviour; if she was a reluctant participant, she could hardly have done more to assist Catherine's meetings with Thomas Culpepper, and the sheer level of her involvement would be much more likely to imply that her role was willing rather than the converse. What her reasons were are still not clear by the end of this book, but to me it seems extremely unlikely that Fox's interpretation is the correct one.
However, one minor success of this book is to put forward a fairly interesting perspective on court life, particularly around Anne Boleyn - it does provide a reminder that she also spent significant time with her ladies, whereas many accounts of Anne's life concentrate on her role in the male-dominated world of politics, and this is worth bearing in mind as it does to some extent enrich the sense of Anne as a person by giving more of an idea of what her life was like.
Many books that put forward a revisionist argument go too far in trying to prove their point - this might be more forgivable if the alternative conclusion reached had sufficient evidence to at least be plausible. However, whilst Julia Fox's book may raise the question of whether we should automatically condemn Lady Rochford as a "bawd", it does not have the evidence to support its assertions and as such, by the end of the book, any reader with a reasonable knowledge of this period will have learned almost nothing new about Lady Rochford than they knew already.